Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 57
( Scene viii ) a The village on the Fens makes Val's life a claustrophobic hell as she is ostracized in subtle but tangible ways : Alice : Everyone's acting funny with her . Angela : She's the one acting funny . Leave her own kiddies .
( Scene viii ) a The village on the Fens makes Val's life a claustrophobic hell as she is ostracized in subtle but tangible ways : Alice : Everyone's acting funny with her . Angela : She's the one acting funny . Leave her own kiddies .
Page 62
In this scene the central gest is one of the affirmation of women , giving them an immediate means of establishing a selfhood they are generally denied , which they are allowed only via kinship systems . This autonomy suddenly allowed ...
In this scene the central gest is one of the affirmation of women , giving them an immediate means of establishing a selfhood they are generally denied , which they are allowed only via kinship systems . This autonomy suddenly allowed ...
Page 145
( Scene xv ) a Rowena , meanwhile , obsessed with the representation of women in a medium she has been hitherto ... Daniels plays with the dimension of time in the presentation of the scenes to portray Rowena as perpetrator of a crime ...
( Scene xv ) a Rowena , meanwhile , obsessed with the representation of women in a medium she has been hitherto ... Daniels plays with the dimension of time in the presentation of the scenes to portray Rowena as perpetrator of a crime ...
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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