Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 11
It seems to be at the cost of an integrated womanhood — one which privileges as well as supports her biological and social role as mother — that the twentiethcentury woman is able to get ahead and keep ahead .
It seems to be at the cost of an integrated womanhood — one which privileges as well as supports her biological and social role as mother — that the twentiethcentury woman is able to get ahead and keep ahead .
Page 68
The focus is also simultaneously on poverty , deprivation and despair as no economic system seems just or fair to that class ... It is , however , the ' schizos ' ( real people revealed by research of the students of the CSD ) who seem ...
The focus is also simultaneously on poverty , deprivation and despair as no economic system seems just or fair to that class ... It is , however , the ' schizos ' ( real people revealed by research of the students of the CSD ) who seem ...
Page 114
It seems too facile to name her as merely ' a dizzy working - class blonde ( ... ) an uneducated sex - por ' , 104 ' sex - crazy Crystal . These definitions undoubtedly point to the masculinist bias of the reviewers , and point also to ...
It seems too facile to name her as merely ' a dizzy working - class blonde ( ... ) an uneducated sex - por ' , 104 ' sex - crazy Crystal . These definitions undoubtedly point to the masculinist bias of the reviewers , and point also to ...
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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