Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
From inside the book
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Page 34
However , this insurgent ' substance ' ( as Kristeva problematically , and by way of slippage posits it ) has irrupted into discourse and effected disruptions causing the latter to formulate itself . This is seen quite tangibly in the ...
However , this insurgent ' substance ' ( as Kristeva problematically , and by way of slippage posits it ) has irrupted into discourse and effected disruptions causing the latter to formulate itself . This is seen quite tangibly in the ...
Page 141
The feminist call for the censorship of pornographic material in the early 80s was seen as a conservative , right - wing concern with public morality . Feminisms traditional alliance with the left , its support of free speech and the ...
The feminist call for the censorship of pornographic material in the early 80s was seen as a conservative , right - wing concern with public morality . Feminisms traditional alliance with the left , its support of free speech and the ...
Page 189
However , underlying all three epistemes of knowledge is the patriarchal impulse which — seen from the feminist point of view — unites the epistemic ruptures to form an unbroken episteme of patriarchy as demonstrated by the text of Top ...
However , underlying all three epistemes of knowledge is the patriarchal impulse which — seen from the feminist point of view — unites the epistemic ruptures to form an unbroken episteme of patriarchy as demonstrated by the text of Top ...
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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