Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse. |
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Page 17
The silenced and invisible waitress , the minoritized Other of Top Girls negotiates the space between the privileged and the subaltern . In the context of this analysis these spaces relate to the sites of the formation of English and ...
The silenced and invisible waitress , the minoritized Other of Top Girls negotiates the space between the privileged and the subaltern . In the context of this analysis these spaces relate to the sites of the formation of English and ...
Page 78
Repressed and repressing , the two characters who nomadically traverse the stage - space of The Skriker ( 1994 ) are the young Lily , heavily pregnant , and her friend , Josie , mentally ill . The theatrical space of their everyday ...
Repressed and repressing , the two characters who nomadically traverse the stage - space of The Skriker ( 1994 ) are the young Lily , heavily pregnant , and her friend , Josie , mentally ill . The theatrical space of their everyday ...
Page 101
they open 57 Placing creative workers and hetairas in two binary categories , she proceeds to place models , actresses , movie stars , as well as dancers as twentiethcentury occupants of the space vacated by the nineteenth - century ...
they open 57 Placing creative workers and hetairas in two binary categories , she proceeds to place models , actresses , movie stars , as well as dancers as twentiethcentury occupants of the space vacated by the nineteenth - century ...
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Bibliographic information
| Title | Breaking the Bounds: British Feminist Dramatists Writing in the Mainstream Since C. 1980 Volume 31 of American University Studies Volume 31 of American university studies: Theatre arts, ISSN 0899-9880 |
| Author | Dimple Godiwala |
| Publisher | P. Lang, 2003 |
| Original from | the University of Michigan |
| Digitized | 3 Mar 2008 |
| ISBN | 0820461350, 9780820461359 |
| Length | 225 pages |
| Subjects | › › Drama / American / General Drama / Women Authors Literary Criticism / Drama Literary Criticism / Women Authors Social Science / Feminism & Feminist Theory |
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