The Cute and the Cool: Wondrous Innocence and Modern American Children's Culture

Front Cover
Oxford University Press, Apr 1, 2004 - History - 272 pages
The twentieth century was, by any reckoning, the age of the child in America. Today, we pay homage at the altar of childhood, heaping endless goods on the young, reveling in memories of a more innocent time, and finding solace in the softly backlit memories of our earliest years. We are, the proclamation goes, just big kids at heart. And, accordingly, we delight in prolonging and inflating the childhood experiences of our offspring. In images of the naughty but nice Buster Brown and the coquettish but sweet Shirley Temple, Americans at mid-century offered up a fantastic world of treats, toys, and stories, creating a new image of the child as "cute." Holidays such as Christmas and Halloween became blockbuster affairs, vehicles to fuel the bedazzled and wondrous innocence of the adorable child. All this, Gary Cross illustrates, reflected the preoccupations of a more gentle and affluent culture, but it also served to liberate adults from their rational and often tedious worlds of work and responsibility. But trouble soon entered paradise. The "cute" turned into "cool" as children, following their parental example, embraced the gift of fantasy and unrestrained desire to rebel against the saccharine excesses of wondrous innocence in deliberate pursuit of the anti-cute. Movies, comic books, and video games beckoned to children with the allures of an often violent, sexualized, and increasingly harsh worldview. Unwitting and resistant accomplices to this commercial transformation of childhood, adults sought-over and over again, in repeated and predictable cycles-to rein in these threats in a largely futile jeremiad to preserve the old order. Thus, the cute child-deliberately manufactured and cultivated--has ironically fostered a profoundly troubled ambivalence toward youth and child rearing today. Expertly weaving his way through the cultural artifacts, commercial currents, and parenting anxieties of the previous century, Gary Cross offers a vibrant and entirely fresh portrait of the forces that have defined American childhood.
 

Selected pages

Contents

The Irony of Innocence
3
The Two Faces of Innocence
19
The Cute Kid Images of a Wondrous Childhood
43
Holidays and New Rituals of Innocence
83
Gremlin Child How the Cute Became the Cool
121
Setting the Boundaries of Innocence
163
Rethinking Innocence
191
Notes
209
Index
245
Copyright

Other editions - View all

Common terms and phrases

About the author (2004)

Author of An All-Consuming Century: Why Commercialism Won in Modern America, Kids' Stuff: Toys and the Changing World of American Childhood, and seven other books relating to the history of modern society, Gary Cross is a Distinguished Professor of Modern History at the Pennsylvania State University.

Bibliographic information