Masculinity in Fiction and Film: Representing Men in Popular Genres, 1945-2000This book looks at a wide range of fiction and film texts, from the 1950s to the present, in order to analyse the ways in which masculinity has been represented in popular culture in Britain and the United States. It covers numerous genres, including spy fiction, science fiction, the Western and police thrillers. Each chapter focuses on key forms of masculinity found in each genre, such as the 'double agent', the 'rogue cop' and the 'citizen-soldier'.Brian Baker takes a broad, contextual approach, placing a detailed discussion of key texts and issues concerning masculinity in their historical and cultural context. Written in a clear, accessible way, it explores the changing representation of men over the last fifty years. |
What people are saying - Write a review
User Review - Flag as inappropriate
Es la representacion de la masculinidad en el cine pero desde perspectiva de la nacion desde la segunda guerra mundial.
Other editions - View all
Common terms and phrases
agent American Angeles anxieties argues assassination attempts becomes beginning Berlin body Bond British called central Chapter character clearly Cohan Cold confession Confidential connection conspiracy construction contemporary course Cowboys critical cultural Daedalus desire Dirty Harry dominant double emphasizes espionage Exley fact fantasy father Fiction Fight figure film first force frontier Game gender hegemonic hero heroic heterosexual homosexual homosocial identity ideological indicates individual innocence Kennedy killed kind later London look male masculinity myth narrative notes novel offers operation organization particularly performance perhaps played police political position postwar Psycho reading relationship representations represents revealed rhetoric Ride role says scene Scorpio seems sense sexual shot social society soldier space Star suggests suit symbolic Troopers United Valance violence West Western writes young