Other Modernities: Gendered Yearnings in China after Socialism

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University of California Press, Mar 1, 1999 - Social Science - 321 pages
In this analysis of three generations of women in a Chinese silk factory, Lisa Rofel brilliantly interweaves the intimate details of her observations with a broad-ranging critique of the meaning of modernity in a postmodern age.

The author based her study at a silk factory in the city of Hangzhou in eastern China. She compares the lives of three generations of women workers: those who entered the factory right around the Communist revolution in 1949, those who were youths during the Cultural Revolution of the 1970s, and those who have come of age in the Deng era. Exploring attitudes toward work, marriage, society, and culture, she convincingly connects the changing meanings of the modern in official discourse to the stories women tell about themselves and what they make of their lives.

One of the first studies to take up theoretically sophisticated issues about gender, modernity, and power based on a solid ethnographic ground, this much-needed cross-generational study will be a model for future anthropological work around the world.
 

Contents

Liberation Stories
41
The Poetics of Productivity
96
Socialist Nostalgia
128
UNSETTLING MEMORIES
150
Interlude
153
She
159
The Politics of Authority
166
Yearnings
188
SPACE AND SUBJECTIVITY
214
Allegories of Postsocialism
217
Rethinking Modernity Space and Factory Discipline
257
Coda
277
Notes
285
Bibliography
303
Index
319
Copyright

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Page 38 - But how refer to an irreversible past, that is, a past which this very reference would not bring back, like memory which retrieves the past, like signs which recapture the signified? What would be needed would be an indication that would reveal the withdrawal of the indicated, instead of a reference that rejoins it.
Page 16 - By playing three times in a row on the alternation between transcendence and immanence, the moderns can mobilize Nature, objectify the social, and feel the spiritual presence of God, even while firmly maintaining that Nature escapes us, that Society is our own work, and that God no longer intervenes.

About the author (1999)

Lisa Rofel is Assistant Professor of Anthropology at the University of California, Santa Cruz.

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