The Literary and Cultural Spaces of Restoration London
In September 1666 the Great Fire destroyed four-fifths of the ancient City of London within three days. All that had been familiar, settled, known, was suddenly and entirely swept away. Londoners faced an emptiness that was not only physical but also historical, social, financial and conceptual. The Literary and Cultural Spaces of Restoration London is the first study to situate the literature of Restoration and early Augustan England within the historical and cultural contexts of the rebuilding of London after the Great Fire. Cynthia Wall relates the marked topographical specificity of plays, poems and novels to a wider cultural network of responses to changing perceptions of urban space, and she shows how the literatures of the period - along with the surveying, mapping, rebuilding and official redescribing of the city - attempt to reinvest the city with comprehensible meaning and create new spaces for new genres.
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Alley architectural argues boundaries buildings California Press Cambridge University Press chapter church City of London commercial conceptual context Corporation of London Court Covent Garden Crusoe's Daniel Defoe Defoe's detail Diary Dissenting drama Dunciad early eighteenth century England English Evelyn Fiction Fire genres ground groundplan Guildhall habitation History houses imaginative inhabit James's John John Evelyn Lane lines literally literary Literature and Culture London Gazrtte London streets London Topographical London Topographical Society MacFlecknoe Manley maps meaning Moll Flanders narrative novelistic novels Ogilby Oxford Park patterns Paul Hunter Pepys Peter Mills physical poems political post'Fire pre'Fire private space psychological public spaces Rebuilding of London Reddaway refuge Restoration Restoration comedy rhetorical Robinson Crusoe Roxana Royal Exchange sense sermons seventeenth shifting shops social spatial Spiro Kostof Stow Stow's strategies street names structures Survey surveyors textual Tour Town trade tradesman urban space visual walls Westminster William York