The Works of John Ruskin: Modern painters, v.1-5J. Wiley, 1889 |
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Page ix
... creature entirely different from that of the lower animals ...... 111 § 2. What room here for idealization .. 111 § 3. How the conception of the bodily ideal is reached ... 112 § 4. Modifications of the bodily ideal owing to influence ...
... creature entirely different from that of the lower animals ...... 111 § 2. What room here for idealization .. 111 § 3. How the conception of the bodily ideal is reached ... 112 § 4. Modifications of the bodily ideal owing to influence ...
Page xiii
... creature forms familiar to us ... 213 § 4. Supernatural character may be impressed on these either by phenomena inconsistent with their common nature ( com- pare Chap . iv . § 16 ) .... § 6. 1st . Of the expression of inspiration ...
... creature forms familiar to us ... 213 § 4. Supernatural character may be impressed on these either by phenomena inconsistent with their common nature ( com- pare Chap . iv . § 16 ) .... § 6. 1st . Of the expression of inspiration ...
Page 7
... creatures , not amid the hurry of crowds and crash of innovation , but in solitary places , and out of the glowing intelligences which he gave to men of old . He did not teach them how to build for glory and for tablet , and then ...
... creatures , not amid the hurry of crowds and crash of innovation , but in solitary places , and out of the glowing intelligences which he gave to men of old . He did not teach them how to build for glory and for tablet , and then ...
Page 9
... creatures , and to be desired by them with such single desire as the imper- fection of their nature may admit ; * that the strong torrents . which , in their own gladness fill the hills with hollow thunder and the vales with winding ...
... creatures , and to be desired by them with such single desire as the imper- fection of their nature may admit ; * that the strong torrents . which , in their own gladness fill the hills with hollow thunder and the vales with winding ...
Page 13
... creatures capable of , or suffering them . $ 3 . Use of the The first great distinction , we observe , is that noted of Aris- totle , that men are called temperate and intemperate with regard to some , and not so with respect to others ...
... creatures capable of , or suffering them . $ 3 . Use of the The first great distinction , we observe , is that noted of Aris- totle , that men are called temperate and intemperate with regard to some , and not so with respect to others ...
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Common terms and phrases
Adamite agreeable Albert Durer Angelico angels animals appearance artist Benozzo Gozzoli bodily body Brera Gallery Chap character Charles Bell Christ clouds color conceive conception Correggio creature degree delight desire dignity Divine Doge's palace effect especially evident evil expression fancy farther fear feeling Fra Angelico function Gentile Bellini Giorgione Giotto glory gradation hand heart heaven human ideal imagination imperfection impressions infinite instance intellect kind landscape Laocoon less light lines look lower Masaccio matter means Michael Angelo mind Mino da Fiesole modes moral mountains nature necessary ness never noble object observed operation painful painter painting passion perception perfect Perugino picture Pitti palace pleasure present proportion pure purity Raffaelle reader received repose respecting rightly seen sense sensual signs spect spirit sublime suppose theoretic faculty things thought Tintoret tion Titian trees trunk truth ture typical beauty unity
Popular passages
Page 91 - One lesson, shepherd, let us two divide, Taught both by what she shows, and what conceals • Never to blend our pleasure or our pride With sorrow of the meanest thing that feels.
Page 39 - From God who is our home. Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
Page 278 - Oh, what a tangled web we weave, When first we practise to deceive...
Page 167 - Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
Page 145 - And missing thee, I walk unseen On the dry smooth-shaven Green, To behold the wandering Moon, Riding near her highest noon, Like one that had been led astray Through the Heaven's wide pathless way; And oft, as if her head she bowed, Stooping through a fleecy cloud.
Page 84 - That which doth assign unto each thing the kind, that which doth moderate the force and power, that which doth appoint the form and measure, of working, the same we term a law.
Page 197 - In heaven above thee! Yet like a star, with glittering crest, Self-poised in air thou seems't to rest; — May peace come never to his nest, Who shall reprove thee!
Page 168 - O Proserpina, For the flowers now that frighted thou let'st fall From Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Page 169 - Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?
Page 52 - Simon Peter saith unto them, I go a fishing. They say unto him, We also go with thee. They went forth, and entered into a ship immediately; and that night they caught nothing.