The Works of John Ruskin: Modern painters, v.1-5J. Wiley, 1889 |
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Results 1-5 of 88
Page xii
... perfect function of the imagination is the intuitive perception of ultimate truth ... 188 30. Imagination how vulgarly understood ...... 190 31. How its cultivation is dependent on the moral feelings .. 32. On independence of mind ...
... perfect function of the imagination is the intuitive perception of ultimate truth ... 188 30. Imagination how vulgarly understood ...... 190 31. How its cultivation is dependent on the moral feelings .. 32. On independence of mind ...
Page 21
... is thus in some degree perfect- ed and rendered subtile , by its being practised upon a single §4 . Depends on tention . object , its conclusions will be more rapid with respect SEC . I. CH . m . ] 21 IMPRESSIONS OF SENSE .
... is thus in some degree perfect- ed and rendered subtile , by its being practised upon a single §4 . Depends on tention . object , its conclusions will be more rapid with respect SEC . I. CH . m . ] 21 IMPRESSIONS OF SENSE .
Page 23
... perfect and fine instrument in all respects , are better promot- ers of actual sensual enjoyment of taste , than the sickened , sluggish , hard - stimulated fastidiousness of Epicurism . So also it will certainly be found with all the ...
... perfect and fine instrument in all respects , are better promot- ers of actual sensual enjoyment of taste , than the sickened , sluggish , hard - stimulated fastidiousness of Epicurism . So also it will certainly be found with all the ...
Page 36
... perfect epitome of the beautiful in one ; and also that deadening by custom of the- oretic impressions to which I have above alluded , is counterbal- anced by the pleasantness of acquired association ; and the loss of the intense ...
... perfect epitome of the beautiful in one ; and also that deadening by custom of the- oretic impressions to which I have above alluded , is counterbal- anced by the pleasantness of acquired association ; and the loss of the intense ...
Page 40
... perfect in form , gladdening in expression , be not of evanescent and shallow appealing , when compared with the still small voice of the level twilight behind purple hills , or the scarlet arch of dawn over the dark , troublous - edged ...
... perfect in form , gladdening in expression , be not of evanescent and shallow appealing , when compared with the still small voice of the level twilight behind purple hills , or the scarlet arch of dawn over the dark , troublous - edged ...
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Common terms and phrases
Adamite agreeable Albert Durer Angelico angels animals appearance artist Benozzo Gozzoli bodily body Brera Gallery Chap character Charles Bell Christ clouds color conceive conception Correggio creature degree delight desire dignity Divine Doge's palace effect especially evident evil expression fancy farther fear feeling Fra Angelico function Gentile Bellini Giorgione Giotto glory gradation hand heart heaven human ideal imagination imperfection impressions infinite instance intellect kind landscape Laocoon less light lines look lower Masaccio matter means Michael Angelo mind Mino da Fiesole modes moral mountains nature necessary ness never noble object observed operation painful painter painting passion perception perfect Perugino picture Pitti palace pleasure present proportion pure purity Raffaelle reader received repose respecting rightly seen sense sensual signs spect spirit sublime suppose theoretic faculty things thought Tintoret tion Titian trees trunk truth ture typical beauty unity
Popular passages
Page 91 - One lesson, shepherd, let us two divide, Taught both by what she shows, and what conceals • Never to blend our pleasure or our pride With sorrow of the meanest thing that feels.
Page 39 - From God who is our home. Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
Page 278 - Oh, what a tangled web we weave, When first we practise to deceive...
Page 167 - Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
Page 145 - And missing thee, I walk unseen On the dry smooth-shaven Green, To behold the wandering Moon, Riding near her highest noon, Like one that had been led astray Through the Heaven's wide pathless way; And oft, as if her head she bowed, Stooping through a fleecy cloud.
Page 84 - That which doth assign unto each thing the kind, that which doth moderate the force and power, that which doth appoint the form and measure, of working, the same we term a law.
Page 197 - In heaven above thee! Yet like a star, with glittering crest, Self-poised in air thou seems't to rest; — May peace come never to his nest, Who shall reprove thee!
Page 168 - O Proserpina, For the flowers now that frighted thou let'st fall From Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Page 169 - Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?
Page 52 - Simon Peter saith unto them, I go a fishing. They say unto him, We also go with thee. They went forth, and entered into a ship immediately; and that night they caught nothing.