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" ... modifications the cause of which is unknown, and which are not very prominent. (327) This is the place to return to mixed contrast in order to make evident how the painter is exposed to seeing the colours of his model inaccurately. In fact, since... "
The Laws of Contrast and Colour: And Their Application to the Arts of ... - Page 84
by Michel Eugène Chevreul - 1861 - 243 pages
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The Principles of Harmony and Contrast of Colours, and Their Applications to ...

Michel Eugène Chevreul - Color - 1855 - 480 pages
...exposed to seeing the colours of his model inaccurately. In fact, since the eye, after having observed one colour for a certain time, has acquired a tendency...follows, not only that the eyes of the painter, thus modified, cannot see correctly the colour which he had for some time looked at, but also another which...
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The principles of colouring in painting, by Charles Martel

Thomas Delf - 1855 - 86 pages
...colours of his model inaccurately. For the eye, after observing one colour for a certain time, having acquired a tendency to see its complementary, and...follows, not only that the eyes of the painter, thus modified, cannot see correctly the colour which he had for some time looked at, but also another which...
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Nineteenth-Century Theories of Art

Joshua C. Taylor - Art - 1987 - 580 pages
...exposed to seeing the colours of his model inaccurately. In fact, since the eye, after having observed one colour for a certain time, has acquired a tendency...follows, not only that the eyes of the painter, thus modified, cannot see correctly the colour which he had for some time looked at, but also another which...
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