A Treatise on Painting: Exploring the Techniques and Theories of Renaissance Art and AestheticsLeonardo da Vinci's 'A Treatise on Painting' is a groundbreaking work that delves into the principles of art and aesthetics. Written in a detailed and technical style, this book provides insights into the techniques, materials, and theories of painting. da Vinci incorporates his own experiences as a Renaissance artist, offering practical advice for aspiring painters. The book also explores themes of perspective, light, and anatomy, showcasing da Vinci's broad knowledge and innovative ideas in the world of art. 'A Treatise on Painting' remains a seminal work in art history, influencing generations of artists and scholars with its timeless wisdom and expertise. |
Contents
CATALOGUE OF THE WORKS OF LEONARDO DA VINCI | |
A TREATISE | |
PROPORTION | |
ANATOMY | |
MOTION AND EQUIPOISE OF FIGURES | |
LINEAR PERSPECTIVE | |
INVENTION or COMPOSITION | |
EXPRESSION and CHARACTER | |
CONTRASTE AND EFFECT | |
COLOURS and COLOURING | |
COLOURS IN REGARD TO LIGHT AND SHADOW | |
COLOURS IN REGARD TO BACKGROUNDS | |
PERSPECTIVE OF COLOURS | |
AERIAL PERSPECTIVE | |
MISCELLANEOUS OBSERVATIONS | |
Other editions - View all
A Treatise on Painting Leonardo Da Vinci,John Francis Rigaud,John Sidney Hawkins Limited preview - 2023 |
A Treatise on Painting: Translated from the Original Italian Leonardo Vinci No preview available - 2015 |
A Treatise on Painting: With a Life of Leonardo and an Account of His Works ... Leonardo da Vinci No preview available - 2001 |
Common terms and phrases
air interposed Ambrosian library angles Antonio Segni appear darker aqua fortis azure beautiful bending blue central line centre chapters colour Contents CHAP contrary convex dark diminish distance draperies drawing Duke engraven equal face figure Florence folds foot France Fresne give ground hand head human body Ibid Ignazio Hugford JOHN PLAW joints knee legs Leonardo da Vinci less Lett lighter lights and shadows linear perspective lively colours Lomazzo looking-glass manuscript Mazenta mentioned Milan motion muscles Naples yellow Nature nearer object seen observe opake body outlines painted painter perspective picture Pitt placed Plate point of sight Pompeo Leoni possession produced proportion receive the light reflected Reflexes reflexion relievo represent says shades shew shoulders side situation surface Table of Contents Taylor High Holborn terminates thick air tinged Treatise variety Vasari Venturi Victor Hirtzler wall weight yellow