Biographia Literaria; Or, Biographical Sketches of My Literary Life and Opinions, Volumes 1-2 |
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Page 33
... sense of their value , or any lightness of feeling , but because he lacked resolution to hold them fast , or " stoop " to recover what he yet " wept " to lose . Still it was but a cruel half truth , when one strangely converted from a ...
... sense of their value , or any lightness of feeling , but because he lacked resolution to hold them fast , or " stoop " to recover what he yet " wept " to lose . Still it was but a cruel half truth , when one strangely converted from a ...
Page 41
... sense can it be truly said of Coleridge that he disregarded authority ? It would be difficult to instance a thinker more disposed to weigh the thoughts of other thinkers , more ready to modify his views by consideration of theirs or the ...
... sense can it be truly said of Coleridge that he disregarded authority ? It would be difficult to instance a thinker more disposed to weigh the thoughts of other thinkers , more ready to modify his views by consideration of theirs or the ...
Page 64
... sense , " and for no other reason , apparently , than that any other would be gross and puerile . Yet who that reads Tertul- lian can imagine that he was not gross and puerile in his philoso- phy , however refined in the play of fancy ...
... sense , " and for no other reason , apparently , than that any other would be gross and puerile . Yet who that reads Tertul- lian can imagine that he was not gross and puerile in his philoso- phy , however refined in the play of fancy ...
Page 70
... sense , complete and perfect , for it does this all important work perfectly ; it is no slight matter , for it is all the difference between salvation and perdition , as being indis- pensable to our gaining the first and escaping the ...
... sense , complete and perfect , for it does this all important work perfectly ; it is no slight matter , for it is all the difference between salvation and perdition , as being indis- pensable to our gaining the first and escaping the ...
Page 73
... sense ( the sense of uniting us with Christ , which is the same as Luther's sense ) justify alone ; that it is the " only inward instrument " of justification ; that , as such inward instru- ment , it is one certain property , act , or ...
... sense ( the sense of uniting us with Christ , which is the same as Luther's sense ) justify alone ; that it is the " only inward instrument " of justification ; that , as such inward instru- ment , it is one certain property , act , or ...
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Common terms and phrases
admiration Antinomianism appear Archdeacon Hare Aristotle beautiful believe Biographia Literaria called cause character Charles Lamb Christ Christian Church Coleridge's common connexion criticism divine doctrine edition effect Essay expression eyes faith fancy Father feelings Fichte former genius German ground heart honor human ideas imagination intellectual Irenæus Kant language least Leibnitz less letter lines literary Luther Lyrical Ballads Maasz Malebranche means metaphysical metre Milton mind moral Morning Post nature never notion object opinion original outward passage perhaps persons philosophy Pindar Plato Plotinus poem poet poetic poetry present principles produced prose published racter Ratzeburg reader reason religion religious remarks S. T. COLERIDGE Schelling Schelling's seems sense Shakspeare Solifidian sonnets soul speak spirit stanzas style suppose Synesius things thou thought tion translation true truth verse whole words Wordsworth writings καὶ τὸ
Popular passages
Page 179 - For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan : Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
Page 214 - For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all. I cannot paint What then I was. The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
Page 568 - Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realised, High instincts before which our mortal Nature Did tremble like a guilty Thing surprised...
Page 568 - But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain light of all our day, Are yet a master light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence: truths that wake, To perish never; Which neither listlessness, nor mad endeavour, Nor Man nor Boy, Nor all that is at enmity with joy, Can utterly abolish or destroy!
Page 567 - Delight and liberty, the simple creed Of Childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast: Not for these I raise The song of thanks and praise...
Page 561 - She shall be sportive as the fawn That wild with glee across the lawn Or up the mountain springs ; And hers shall be the breathing balm, And hers the silence and the calm Of mute, insensate things.
Page 364 - The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
Page 429 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation...
Page 437 - What is poetry? — is so nearly the same question with, what is a poet? — that the answer to the one is involved in the solution of the other.
Page 437 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.