The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance

Front Cover
Ashgate Publishing, Ltd., 2010 - Music - 227 pages
The guitar is basic to most popular music cultures and travels widely as a part of local music cultures around the world. Here, Kevin Dawe argues that musicians from very different cultural backgrounds appear to be using the guitar in ways that seem to highlight the values of the cultures of their provenance.
 

Contents

Ten Musical Lives of the Guitar
1
Taking Stock of the Guitar Phenomenon
19
The New Guitarscape and Musical Instrument Studies
41
Notes on Guitarscaping
63
Materiality and the Virtual Guitar
87
The Sensual Culture of the Guitar
109
Gender and Sexuality in the New Guitarscape
129
The Power and Agency of the Guitar
151
Guitars Travel and Translation
175
Concluding Remarks
199
Index
219
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About the author (2010)

Kevin Dawe is Professor of Ethnomusicology and Head of the School of Music and Fine Art at the University of Kent, UK.

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