FOURNEL, Le Théâtre au xvii Siècle; La Comédie. 1892.
GARNETT, R., The Age of Dryden. 1895.
Gosse, From Shakespeare to Pope. 1885.
HAMELIUS, Die Kritik in der Englischen Literatur des 17. und 18. Jahrhunderts. 1897.
JOHNSON, Lives of the Poets. 1779-1781.
JUSSERAND, Shakespeare en France sous l'Ancien Régime. 1898.
LA MESNARDIÈRE, La Poétique. 1640.
Lemaître, Corneille et la Poétique d'Aristote. 1888.
MALONE, Critical and Miscellaneous Prose Works of John Dryden. 1800.
PERRAULT, Parallèle des Anciens et des Modernes. 1688–1696. PETIT DE JULLEVILLE, Le Théâtre en France. 1889.
(edited by), Histoire de la Langue et de la Littérature française. 1896-1900.
RAPIN, Euvres diverses du R. P. R. Rapin. Amsterdam,
RIGAL, Alexandre Hardy et le Théâtre français à la fin du xvi et au commencement du xvii Siècle. 1889.
RYMER, The Tragedies of the Last Age Considered and Examined by the Practice of the Ancients. 1678. A Short View of Tragedy. 1693.
Saint-Évremond, Œuvres, ed. Des Maizeaux. 1705. SAINTSBURY, Dryden [' English Men of Letters']. 1881. SARASIN, Discours de la Tragédie. 1639.
SCALIGER, J. C., Poetices libri septem. 1561.
SCOTT, Life of Dryden, in his edition of Dryden's Works. 1808.
SCUDERY, Preface to Ibrahim ou l'illustre Bassa. 1641. Preface to Alaric. 1654.
SETTLE, Notes and Observations on the Empress of Morocco revised. 1674.
VAUGHAN, C. E., English Literary Criticism. 1896.
WESELMANN, Dryden als Kritiker. 1893.
Absalom and Achitophel, ii. 67,
Addison, Mr., ii. 235 n., 244. Aeschines, ii. 74. Aeschylus, i. 202, 221. Alberti, ii. 120.
Ancients and Moderns, the question as disputed in the seventeenth century, Introd. xxiii sqq., lxvi; i. 34, 36-31; ii. 6 (Perrault), 26.
Andronicus, Livius, ii. 57 sqq. Apollonius, his Argonauts, i. 180. Apuleius, ii. 67.
Ariosto, i. 150; ii. 26, 32, 155,
165, 182, 220. Aristophanes, i. 85; ii. 57, 99. Aristotle, i. 38, 207, 221; ii. 146, 156, 249 n. Criticism first in- stituted by, i. 179.
Arthur, King, plan of an epic poem on, ii. 38, 272.
Augustus, his tragedy, i. 3; his epigram, 231; Majestas, ii. 89.
Balzac, Phyllarque on, ii. 227. Bamboccio, ii. 119.
Barclay, Jean, i. 6 n.; ii. 67.. Beaumont and Fletcher, i. 80, 146; Philaster, 166; Maid's Tragedy, 205 n., 218.
Bellori, ii. 117 sqq
Berkenhead, Sir John, i. 122.
Betterton, Mr., i. 204, 279. Black Friars, theatre, i. 175. Blackmore, ii. 244 m., 270, 272 1. Blank Verse, i. 6, 91; ii. 29. Boccace, ii. 231; Preface to Fables, passim.
Boccalini, ii. 193. Bochartus, ii. 193. Boiardo, ii. 165.
Boileau, Introd. xli, lx; i. 181; ii. 26 ('the admirable'), 32 (on machines), 103 (his Satires), 106 (Le Lutrin).
Bossu, the best of modern critics, i. 211, 218; ii. 43, 136. Bowyer, Sir William, ii. 243. Buckhurst, Lord, Thomas Sack- ville, author of Gorboduc, i. 6. Charles Sackville (Eugenius in the Essay), i. 23 (Earl of Dorset); ii. 2 n., 15 sqq., 239. Buckingham, Duke of, ii. 246 n.; see Zimri.
Buffon, on the dignity of general terms, Introd. xxiv.
Burnet, Bp. of Salisbury, ii. 76.
Caesar, Julius, i. 26, 42, 105; ii. 56.
Camoens, author of the Lusiads, i. 190. Caracci, ii. 130.
Caravaggio, ii. 119.
Caro, Hannibal, i. 256; ii. 29, 220. Casaubon, Preface to Juvenal,
Castiglione, ii. 120.
Catullus, ii. 110, 129. Chapelain, author of La Pucelle, Introd. xxv, xxviii, xxxv; La Pucelle referred to, i. 12; ii. 28, 165.
Chapnian, George, i. 12, 246; ii.
Charles II, the excellency of his manners, i. 176; death, 280, 281; fair words, ii. 38; on impartiality, 69; puns at the court of, 95.
Chaucer, i. 203; ii. 241, 247 sqq.; 'followed Nature,' 257, 258. Chedreux, i. 195 n. Chetwood, Knightly, ii. 235 n. Chevalier d'Agneaux, le, the brothers Robert and Antoine, translated Virgil, ii. 189, 220. Cicero (Tully), i. 26, 30, 256; ii. 65, 118. Claudian, i. 9, 255. Cleveland, John, i. 5?. Clevelandism, i. 31. Collier, Mr., ii. 251 n., 272. Comedy, 134 sqq. Condé, Prince of, ii. 273. Congreve, Mr., ii. 12, 235. Copernican System, ii. 103 22. Corneille, Pierre, Dryden's relation
to, Introd. xix sqq.; on Unity of Action, xxxix sqq. ; i. 40, 64; ii. 157; of Time, Introd. xliii; of Place (lieu théâtral), xlvii sqq.; i. 37; liaison des scènes, 40; The Liar, 68; Polyeucte, 71; Cinna, 71; Pompey, 71, translated, 24 n.; Andromède, 74; on the Unities, 75; The Cid, 83; his influence on Davenant, 149.
Corneille, Thomas, i. 68, 76, n., 145. Cowley, Mr., i. 35, 139, 154, 184, 196, 188, 237, 239, 263, 267, 272; ii. 19, 108, 218, 222, 229, 244, 258, 264.
Creech, Thomas, i. 264; ii. 226. Crites (Sir Robert Howard), i. 28. Cudworth, Dr., ii. 187.
Dacier. See Preface to Juvenal,
passim; ii. 136. Dampier, ii. 226.
Daniel, his Defence of Rhyme, i. 97.
Dante, i. 274; ii. 169, 248. D'Aubignac (Hédelin), Abbé, his Pratique du Théâtre, Introd. xxxvi.
D'Avenant, Sir William, i. 7; ii. 133; Gondibert, stanza of, i. 12; Siege of Rhodes, 97, 150. Demosthenes, i. 256; ii. 74. Denham, Sir John, i. 7, 35, 238 sqq.; ii. 108, 217, 222, 259.
Dennis, ii. 32 n. Derby, Earl of, ii. 242. Descartes, ii. 16.
Dolben, Gilbert, Esq., ii. 243. Donne, Dr., i. 52; ii. 19, 102. Dorset; see Buckhurst. Drake, Dr., ii. 261.
Du Bartas; see Sylvester. Du Fresnoy, his poem De Arle Graphicâ, ii. 115 sqq.
Edward, the Black Prince, con- sidered as possible subject for an epic poem, ii. 38. Ennius, ii. 60, 259. Erasmus, ii. 67.
Eugenius (Lord Buckhurst), i. 28. Euripides, i. 48; Iphigenie in
Aulis, 205; Hippolytus, 210; Cyclops, ii. 50.
Evelyn, Mr., i. 264.
Exeter, Earl of, ii. 243.
Fairfax, ii. 247, 259.
Fèvre, Tanneguy le, ii. 166, 201. Fleckno, ii. 27.
Fletcher, John, i. 54, 72, 165, 172,
217, 228; Rollo, 60, 217; King and no King, 65, 212, 220; Scornful Lady, 66; ii. 142, 147; Faithful Shepherdess, i. 78, 166, Humorous Lieutenant, 166; Chances, revised by Duke of Buckingham, 174 n.; Valen- tinian, 218.
Gothic manner, ii. 146.
Gower, ii. 258.
Guarini, his Pastor Fido, i. 265,
273; ii. 103, 147.
Guibbons, Dr., ii. 244.
Guido Reni, ii. 120.
Guise, Duke of, the late, i. 158.
Hales, John, i. 80.
Harington, Sir John, ii. 259. Hart, Mr., acted Dorante in The Liar, i. 68.
Haughton, Lord, i. 244. Heinsius, i. 143, 235; ii. 44, and passim in the Discourse on Satire, 164.
Heroic Plays, Introd. lii sqq.; i.
148 sqq. (Essay, prefixed to The Conquest of Granada), 246. Heroic Poem, Introd. xv sqq., xxi; i. 150 sqq., 181 sqq.; ii. 26 sqq., 127; the moral (allegory), In- trod. lxii; i. 213; 'machines,'
Introd. liii, lvi, lx, lxvii ; i. 153, 187, 190; ii. 32 sqq., 190, 209-210, 254, 272; 'the greatest work of human nature,' ii. 43, 154.
Hippocrates, ii. 134.
Hobbes, Mr., i. 153, 259; ii. 248; his translation of Homer, 252. Hobbs, Dr., ii 244.
Holyday, Barten, ii. 73, 92, 94, 96, 101, 111 sqq. Homer, passim; Dryden's Al- manzor copied from Homer's Achilles, i. 155; moral of the Iliad, 213; ii. 12 sq., 251 sqq. Horace, passim; i. 38, 45, 51, 163,
171, 215, 266 sqq.; ii. 47; his Satires, 77 sqq. Howard, Sir Robert, Introd. 1; letter to (Preface to Annus Mirabilis), i. 10; Indian Queen, 100; Duke of Lerma, 110; 'that excellent person,' ii. 186, 232 n. Hudibras, ii. 105.
Imagination, Dryden's account of, Introd. xxxiv; i. 15.
Italian Tongue, corruption of, ascribed to false wit of preach- ers, i. 174 n.
Johnson, Dr., on Dryden's prose, Introd. xxvi.
Jonson, Ben, i. 69, 81, 114, 138, 160, 237; ii. 17; on the Unity of Action, Introd. xxxix; i. 41; imitator of the Ancients, 43; Sejanus, 60; Catiline, 60, 75, 157, 167 sqq; Magnetic Lady, 65; The Fox, 73; Sad Shepherd, 78; The Silent Woman, Examen of, 83 sqq.; Bartholomew Fair, 87; ii. 256; Alchemist, i, 141,
Mackenzie, Sir George, ii. 108. Macrobius, i. 42, 91; ii. 166, 197,
Maevius, ii. 164 n. Maidwell, Mr., ii. 99. Malherbe, ii. 217. Manilius, ii. 214 n., 226. Marini, ii. 225.
Martial, i. 32 n., 42 n., 103 n., 189; ii. 11, 24, 27, 217, 223, 224, 258 n. Mascardi, ii. 103. Maximus Tyrius, ii. 119. Ménage, i. 46 n.
Merlin Coccaius, ii. 106. Mesnardière, M. de la, his Poëtique, Introd. xxxvii ; on scenery, quoted, xlvi. Milbourne, ii. 266, 270. Milton, John, the deceased author of Paradise Lost, i. 178 sqq., 268; ii. 28, 37, 109, 165, 212, 223; the poetical son of Spenser, 247.
Molière, i. 68, 88.
Montaigne, i. 193; ii. 171, 255. Morelli, Dr., ii. 221.
Moyle, Mr. Walter, ii. 138, 184. Mulgrave, Earl of, ii. 14; his Essay on Poetry, i. 263; ii. 162; (Marquis of Normanby), ii. 128; Dedication of the Æneis, 154.
Nature, the idea of, in seventeenth-
century criticism, Introd. xxiv sqq., lix sqq.; ii. 125 sqq., 257; 'the original rule,' i. 183; Aris- totle and Horace, her inter- preters, ibid.; ii. 156. Normanby; see Mulgrave.
Edipus, by Dryden and Lee, ii. 146. I 208 Ogilby, i. 253, 271.
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