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FOURNEL, Le Théâtre au xvii Siècle; La Comédie. 1892.

GARNETT, R., The Age of Dryden. 1895.

Gosse, From Shakespeare to Pope. 1885.

HAMELIUS, Die Kritik in der Englischen Literatur des 17. und 18. Jahrhunderts. 1897.

JOHNSON, Lives of the Poets. 1779-1781.

JUSSERAND, Shakespeare en France sous l'Ancien Régime. 1898.

LA MESNARDIÈRE, La Poétique. 1640.

Lemaître, Corneille et la Poétique d'Aristote. 1888.

MALONE, Critical and Miscellaneous Prose Works of John Dryden. 1800.

PERRAULT, Parallèle des Anciens et des Modernes. 1688–1696. PETIT DE JULLEVILLE, Le Théâtre en France. 1889.

(edited by), Histoire de la Langue et de la Littérature française. 1896-1900.

RAPIN, Euvres diverses du R. P. R. Rapin. Amsterdam,

1686.

RIGAL, Alexandre Hardy et le Théâtre français à la fin du xvi et au commencement du xvii Siècle. 1889.

RYMER, The Tragedies of the Last Age Considered and
Examined by the Practice of the Ancients. 1678.
A Short View of Tragedy. 1693.

Saint-Évremond, Œuvres, ed. Des Maizeaux. 1705.
SAINTSBURY, Dryden [' English Men of Letters']. 1881.
SARASIN, Discours de la Tragédie. 1639.

SCALIGER, J. C., Poetices libri septem. 1561.

SCOTT, Life of Dryden, in his edition of Dryden's Works. 1808.

SCUDERY, Preface to Ibrahim ou l'illustre Bassa. 1641.
Preface to Alaric. 1654.

SETTLE, Notes and Observations on the Empress of Morocco revised. 1674.

VAUGHAN, C. E., English Literary Criticism. 1896.

WESELMANN, Dryden als Kritiker. 1893.

INDEX

Absalom and Achitophel, ii. 67,

93, 271.

Addison, Mr., ii. 235 n., 244.
Aeschines, ii. 74.
Aeschylus, i. 202, 221.
Alberti, ii. 120.

Ancients and Moderns, the question
as disputed in the seventeenth
century, Introd. xxiii sqq., lxvi;
i. 34, 36-31; ii. 6 (Perrault),
26.

Andronicus, Livius, ii. 57 sqq.
Apollonius, his Argonauts, i. 180.
Apuleius, ii. 67.

Ariosto, i. 150; ii. 26, 32, 155,

165, 182, 220.
Aristophanes, i. 85; ii. 57, 99.
Aristotle, i. 38, 207, 221; ii. 146,
156, 249 n. Criticism first in-
stituted by, i. 179.

Arthur, King, plan of an epic poem
on, ii. 38, 272.

Augustus, his tragedy, i. 3; his
epigram, 231; Majestas, ii. 89.

Balzac, Phyllarque on, ii. 227.
Bamboccio, ii. 119.

Barclay, Jean, i. 6 n.; ii. 67..
Beaumont and Fletcher, i. 80, 146;
Philaster, 166; Maid's Tragedy,
205 n., 218.

Bellori, ii. 117 sqq

Berkenhead, Sir John, i. 122.

Betterton, Mr., i. 204, 279.
Black Friars, theatre, i. 175.
Blackmore, ii. 244 m., 270, 272 1.
Blank Verse, i. 6, 91; ii. 29.
Boccace, ii. 231; Preface to Fables,
passim.

Boccalini, ii. 193.
Bochartus, ii. 193.
Boiardo, ii. 165.

Boileau, Introd. xli, lx; i. 181;
ii. 26 ('the admirable'), 32 (on
machines), 103 (his Satires), 106
(Le Lutrin).

Bossu, the best of modern critics,
i. 211, 218; ii. 43, 136.
Bowyer, Sir William, ii. 243.
Buckhurst, Lord, Thomas Sack-
ville, author of Gorboduc, i. 6.
Charles Sackville (Eugenius
in the Essay), i. 23 (Earl of
Dorset); ii. 2 n., 15 sqq., 239.
Buckingham, Duke of, ii. 246 n.;
see Zimri.

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Buffon, on the dignity of general
terms, Introd. xxiv.

Burnet, Bp. of Salisbury, ii. 76.

Caesar, Julius, i. 26, 42, 105;
ii. 56.

Camoens, author of the Lusiads,
i. 190.
Caracci, ii. 130.

Caravaggio, ii. 119.

Caro, Hannibal, i. 256; ii. 29, 220.
Casaubon, Preface to Juvenal,

passim.

Castiglione, ii. 120.

Catullus, ii. 110, 129.
Chapelain, author of La Pucelle,
Introd. xxv, xxviii, xxxv; La
Pucelle referred to, i. 12; ii. 28,
165.

Chapnian, George, i. 12, 246; ii.

9, II, 14, 229.

Charles II, the excellency of his
manners, i. 176; death, 280,
281; fair words, ii. 38; on
impartiality, 69; puns at the
court of, 95.

Chaucer, i. 203; ii. 241, 247 sqq.;
'followed Nature,' 257, 258.
Chedreux, i. 195 n.
Chetwood, Knightly, ii. 235 n.
Chevalier d'Agneaux, le, the
brothers Robert and Antoine,
translated Virgil, ii. 189, 220.
Cicero (Tully), i. 26, 30, 256;
ii. 65, 118.
Claudian, i. 9, 255.
Cleveland, John, i. 5?.
Clevelandism, i. 31.
Collier, Mr., ii. 251 n., 272.
Comedy, 134 sqq.
Condé, Prince of, ii. 273.
Congreve, Mr., ii. 12, 235.
Copernican System, ii. 103 22.
Corneille, Pierre, Dryden's relation

to, Introd. xix sqq.; on Unity
of Action, xxxix sqq. ; i. 40, 64;
ii. 157; of Time, Introd. xliii; of
Place (lieu théâtral), xlvii sqq.;
i. 37; liaison des scènes, 40; The
Liar, 68; Polyeucte, 71; Cinna,
71; Pompey, 71, translated,
24 n.; Andromède, 74; on the
Unities, 75; The Cid, 83; his
influence on Davenant, 149.

Corneille, Thomas, i. 68, 76, n.,
145.
Cowley, Mr., i. 35, 139, 154, 184,
196, 188, 237, 239, 263, 267,
272; ii. 19, 108, 218, 222, 229,
244, 258, 264.

Creech, Thomas, i. 264; ii. 226.
Crites (Sir Robert Howard), i. 28.
Cudworth, Dr., ii. 187.

Dacier. See Preface to Juvenal,

passim; ii. 136.
Dampier, ii. 226.

Daniel, his Defence of Rhyme,
i. 97.

Dante, i. 274; ii. 169, 248.
D'Aubignac (Hédelin), Abbé, his
Pratique du Théâtre, Introd.
xxxvi.

D'Avenant, Sir William, i. 7; ii.
133; Gondibert, stanza of, i. 12;
Siege of Rhodes, 97, 150.
Demosthenes, i. 256; ii. 74.
Denham, Sir John, i. 7, 35,
238 sqq.; ii. 108, 217, 222,
259.

Dennis, ii. 32 n.
Derby, Earl of, ii. 242.
Descartes, ii. 16.

Dolben, Gilbert, Esq., ii. 243.
Donne, Dr., i. 52; ii. 19, 102.
Dorset; see Buckhurst.
Drake, Dr., ii. 261.

Du Bartas; see Sylvester.
Du Fresnoy, his poem De Arle
Graphicâ, ii. 115 sqq.

Edward, the Black Prince, con-
sidered as possible subject for
an epic poem, ii. 38.
Ennius, ii. 60, 259.
Erasmus, ii. 67.

Eugenius (Lord Buckhurst), i. 28.
Euripides, i. 48; Iphigenie in

Aulis, 205; Hippolytus, 210;
Cyclops, ii. 50.

Evelyn, Mr., i. 264.

Exeter, Earl of, ii. 243.

Fabrini, ii. 243.

Fairfax, ii. 247, 259.

Fèvre, Tanneguy le, ii. 166, 201.
Fleckno, ii. 27.

Fletcher, John, i. 54, 72, 165, 172,

217, 228; Rollo, 60, 217; King
and no King, 65, 212, 220;
Scornful Lady, 66; ii. 142, 147;
Faithful Shepherdess, i. 78, 166,
Humorous Lieutenant,
166; Chances, revised by Duke
of Buckingham, 174 n.; Valen-
tinian, 218.

217 218;

French critics, ii. 178.

Gorboduc, i. 5.

Gothic manner, ii. 146.

Gower, ii. 258.

Guarini, his Pastor Fido, i. 265,

273; ii. 103, 147.

Guibbons, Dr., ii. 244.

Guido Reni, ii. 120.

Guise, Duke of, the late, i. 158.

Hales, John, i. 80.

Harington, Sir John, ii. 259.
Hart, Mr., acted Dorante in The
Liar, i. 68.

Haughton, Lord, i. 244.
Heinsius, i. 143, 235; ii. 44, and
passim in the Discourse on
Satire, 164.

Heroic Plays, Introd. lii sqq.; i.

148 sqq. (Essay, prefixed to The
Conquest of Granada), 246.
Heroic Poem, Introd. xv sqq., xxi;
i. 150 sqq., 181 sqq.; ii. 26 sqq.,
127; the moral (allegory), In-
trod. lxii; i. 213; 'machines,'

Introd. liii, lvi, lx, lxvii ; i. 153,
187, 190; ii. 32 sqq., 190,
209-210, 254, 272; 'the greatest
work of human nature,' ii. 43,
154.

Hippocrates, ii. 134.

Hobbes, Mr., i. 153, 259; ii. 248;
his translation of Homer, 252.
Hobbs, Dr., ii 244.

Holyday, Barten, ii. 73, 92, 94,
96, 101, 111 sqq.
Homer, passim; Dryden's Al-
manzor copied from Homer's
Achilles, i. 155; moral of the
Iliad, 213; ii. 12 sq., 251 sqq.
Horace, passim; i. 38, 45, 51, 163,

171, 215, 266 sqq.; ii. 47; his
Satires, 77 sqq.
Howard, Sir Robert, Introd. 1;
letter to (Preface to Annus
Mirabilis), i. 10; Indian Queen,
100; Duke of Lerma, 110;
'that excellent person,' ii. 186,
232 n.
Hudibras, ii. 105.

Imagination, Dryden's account of,
Introd. xxxiv; i. 15.

Italian Tongue, corruption of,
ascribed to false wit of preach-
ers, i. 174 n.

Johnson, Dr., on Dryden's prose,
Introd. xxvi.

Jonson, Ben, i. 69, 81, 114, 138,
160, 237; ii. 17; on the Unity
of Action, Introd. xxxix; i. 41;
imitator of the Ancients, 43;
Sejanus, 60; Catiline, 60, 75,
157, 167 sqq; Magnetic Lady,
65; The Fox, 73; Sad Shepherd,
78; The Silent Woman, Examen
of, 83 sqq.; Bartholomew Fair,
87; ii. 256; Alchemist, i, 141,

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Mackenzie, Sir George, ii. 108.
Macrobius, i. 42, 91; ii. 166, 197,

204.

Maevius, ii. 164 n.
Maidwell, Mr., ii. 99.
Malherbe, ii. 217.
Manilius, ii. 214 n., 226.
Marini, ii. 225.

Martial, i. 32 n., 42 n., 103 n.,
189; ii. 11, 24, 27, 217, 223,
224, 258 n.
Mascardi, ii. 103.
Maximus Tyrius, ii. 119.
Ménage, i. 46 n.

Merlin Coccaius, ii. 106.
Mesnardière, M. de la, his Poëtique,
Introd. xxxvii ; on scenery,
quoted, xlvi.
Milbourne, ii. 266, 270.
Milton, John, the deceased author
of Paradise Lost, i. 178 sqq.,
268; ii. 28, 37, 109, 165, 212,
223; the poetical son of Spenser,
247.

Molière, i. 68, 88.

Montaigne, i. 193; ii. 171, 255.
Morelli, Dr., ii. 221.

Moyle, Mr. Walter, ii. 138, 184.
Mulgrave, Earl of, ii. 14; his
Essay on Poetry, i. 263; ii. 162;
(Marquis of Normanby), ii. 128;
Dedication of the Æneis, 154.

Nature, the idea of, in seventeenth-

century criticism, Introd. xxiv
sqq., lix sqq.; ii. 125 sqq., 257;
'the original rule,' i. 183; Aris-
totle and Horace, her inter-
preters, ibid.; ii. 156.
Normanby; see Mulgrave.

Edipus, by Dryden and Lee, ii.
146. I 208
Ogilby, i. 253, 271.

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