King Lear: A Tragedy in Five Acts |
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Page 22
I hear our father coming — Pardon me : — In cunning I must draw my sword upon
you : — Draw: seem to defend yourself: now quit you well; Yield : come before my
father; — help, ho, here ! — Fly, brother; — help, here, help! — farewell ...
I hear our father coming — Pardon me : — In cunning I must draw my sword upon
you : — Draw: seem to defend yourself: now quit you well; Yield : come before my
father; — help, ho, here ! — Fly, brother; — help, here, help! — farewell ...
Page 70
The Gates of the Castle at Dunsinane. Alarums. Enter Macbeth. Mach. Why
should I play the Roman fool, and die On mine own sword ? whiles I see lives,
the gashes Do better upon them. Enter Macduff. Macd. Turn, hell-hound, turn.
Macb.
The Gates of the Castle at Dunsinane. Alarums. Enter Macbeth. Mach. Why
should I play the Roman fool, and die On mine own sword ? whiles I see lives,
the gashes Do better upon them. Enter Macduff. Macd. Turn, hell-hound, turn.
Macb.
Page 65
Behold, I draw a sword against conspirators; When think you, that the sword goes
up again ? Never, till Caesar's three and twenty wounds Be well aveng'd ; or till
another Caesar Have added slaughter to the sword of traitors. Bru. Caesar, thou
...
Behold, I draw a sword against conspirators; When think you, that the sword goes
up again ? Never, till Caesar's three and twenty wounds Be well aveng'd ; or till
another Caesar Have added slaughter to the sword of traitors. Bru. Caesar, thou
...
Page 68
Come, now keep thine oath, Now, be a freeman ; and with this good sword, That
ran through Caesar's bowels, search this bosom. Stand not to answer; here, take
thou the hilt: And when my face is cover'd, as 'tis now, Guide thou the sword ...
Come, now keep thine oath, Now, be a freeman ; and with this good sword, That
ran through Caesar's bowels, search this bosom. Stand not to answer; here, take
thou the hilt: And when my face is cover'd, as 'tis now, Guide thou the sword ...
Page 67
Eros. Farewell, great chief. Shall I strike now ? Ant. Now, Eros. Eros. Why, there
then : [Falling on his sword.] Thus I do escape the sorrow Of Antony's death. [Dies
. Ant. Thrice nobler than myself! Thou teachest me, O valiant Eros, what I should,
...
Eros. Farewell, great chief. Shall I strike now ? Ant. Now, Eros. Eros. Why, there
then : [Falling on his sword.] Thus I do escape the sorrow Of Antony's death. [Dies
. Ant. Thrice nobler than myself! Thou teachest me, O valiant Eros, what I should,
...
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chilllllllllll
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The version of King Lear revised by Tate is not the real King Lear. It has been completely rewritten to give it a super happy ending. Wanting to get more familiar with Shakespeare, I read the whole play, not realizing that it wasn't the real tragedy. Very disappointed to find out after the fact that I read a counterfeit play. Reminds me of the Disney-fication of The Little Mermaid or the "Super Happy Ending" in Wayne's World.
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Common terms and phrases
Antony Attendants bear better blood bring brother Brutus Caesar Casca Cassius cause Cleo Cleopatra Cloten comes Cord Cordelia daughter dead dear death doth Edgar Enter Eros Exeunt Exit eyes face fall father fear fight follow fortune friends give Glost Gloster gods gone Guard Guid hand hast hath head hear heart Heaven hence hold honour I'll Iach Imog Italy keep Kent king Lady Lear leave live look lord Macb Macbeth Macd madam Mark master means meet nature never night noble once peace Pisanio Pleb poor Post pray present queen Roman Rome royal SCENE sleep soldier speak spirit stand strange sword tell thee thine thing thou thou art thought true Witch worthy
Popular passages
Page 5 - Why, man, he doth bestride the narrow world, Like a Colossus ; and we petty men Walk under his huge legs, and peep about To find ourselves dishonourable graves.
Page 18 - Is this a dagger which I see before me, The handle toward my hand ? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight ? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain ? I see thee yet, in form as palpable As this which now I draw. Thou marshall'st me the way that I was going ; And such an instrument I was to use. Mine eyes are made the fools o...
Page 3 - The barge she sat in, like a burnish'd throne, Burn'd on the water : the poop was beaten gold ; Purple the sails, and so perfumed, that The winds were love-sick with them : the oars were silver; Which to the tune of flutes kept stroke, and made The water, which they beat, to follow faster, As amorous of their strokes.
Page 36 - Romans, countrymen, and lovers! hear me for my cause ; and be silent that you may hear : believe me for mine honour; and have respect to mine honour, that you may believe: censure me in your wisdom; and awake your senses that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his.
Page 77 - Give me my robe, put on my crown; I have Immortal longings in me: Now no more The juice of Egypt's grape shall moist this lip: — Yare, yare, good Iras; quick. — Methinks, I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath: Husband, I come: Now to that name my courage prove my title ! I am fire, and air; my other elements I give to baser life.
Page 39 - I am in blood Stepp'd in so far, that, should I wade no more, Returning were as tedious as go o'er : Strange things I have in head, that will to hand ; Which must be acted ere they may be scann'd.
Page 59 - She should have died hereafter ; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death.
Page 38 - Friends, Romans, countrymen, lend me your ears ; I come to bury Caesar, not to praise him. The evil that men do lives after them ; The good is oft interred with their bones ; So let it be with Caesar. The noble Brutus Hath told you Caesar was ambitious : If it were so, it was a grievous fault, And grievously hath Caesar answer'd it. Here, under leave of Brutus and the rest, — For Brutus is an honourable man ; So are they all, all honourable men, — Come I to speak in Caesar's funeral.
Page 39 - But yesterday, the word of Caesar might Have stood against the world ; now lies he there, And none so poor to do him reverence.
Page 35 - To beg the voice and utterance of my tongue, A curse shall light upon the limbs of men ; Domestic fury and fierce civil strife Shall cumber all the parts of Italy...
Bibliographic information
| Title | King Lear: A Tragedy in Five Acts The British theatre |
| Author | William Shakespeare |
| Publisher | Longman, Hurst, Rees, Orme and Brown, 1808 |
| Length | 78 pages |
| Export Citation | BiBTeX EndNote RefMan |