A Performer's Guide to Seventeenth-century Music: Edited by Stewart CarterStewart Carter This is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. |
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Page 343
... ARBEAU , ORCHÉSOGRAPHIE ( 1588/89 ) A cleric at Langres in eastern France , Arbeau wrote this treatise in dia- logue format , nostalgically recalling dances popular in his youth . Arbeau's student Capriole begs his master to teach him ...
... ARBEAU , ORCHÉSOGRAPHIE ( 1588/89 ) A cleric at Langres in eastern France , Arbeau wrote this treatise in dia- logue format , nostalgically recalling dances popular in his youth . Arbeau's student Capriole begs his master to teach him ...
Page 355
... Arbeau , Caroso , Negri , Lupi , and Lutij . Arbeau's basic galliard consists of a pattern of four kicks in the air and a cadence ( a switch of feet in the air then landing on both feet ) ; this sequence was called the " five steps ...
... Arbeau , Caroso , Negri , Lupi , and Lutij . Arbeau's basic galliard consists of a pattern of four kicks in the air and a cadence ( a switch of feet in the air then landing on both feet ) ; this sequence was called the " five steps ...
Page 367
... Arbeau - Orchésographie ( 1967 ) , 125 . 42. The almans described in the Inns of Court mss . show processional dances like Arbeau , though with rudimentary figures added . Negri's Alemana d'Amore for four dancers is unlike Arbeau's ...
... Arbeau - Orchésographie ( 1967 ) , 125 . 42. The almans described in the Inns of Court mss . show processional dances like Arbeau , though with rudimentary figures added . Negri's Alemana d'Amore for four dancers is unlike Arbeau's ...
Contents
Bel canto Style | 30 |
ANNE HARRINGTON | 43 |
GARY TOWNE Vocal Ensembles | 54 |
Copyright | |
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accompaniment appears articulation Baroque bass beat beginning called castrato changes choir cited common composers consort continuo cornett court dance described developed discussion divisions double drums early edition effect England English ensemble equal example expressive figures flute four France French German gives half hand harpsichord historical important indicate instruments Italian Italy keyboard known late later less lower lute means mentioned ments Mersenne musicians nature notation notes octave opera organ original ornamentation particularly performance period pieces pitch players playing position practice Praetorius produce proportion published range recorder refers Renaissance repertory require says seems seventeenth century signs singers singing solo sometimes sonatas soprano sound sources standard steps strings style suggests tactus technique tempo term theorbo third timpani tion tone trill trumpet tuning types usually viol violin vocal voice writing written