A Performer's Guide to Seventeenth-century Music: Edited by Stewart CarterStewart Carter This is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. |
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Page 65
... Giovanni Battista . Netherlands Chamber Choir , Chorus Viennensis , Monteverdi Ensemble Amsterdam ; Gustav Leonhardt . Philips 422 074-2 . Giacomo Antonio Perti : Messa a otto voci per soli , ripieni e strumenti . New College Choir di ...
... Giovanni Battista . Netherlands Chamber Choir , Chorus Viennensis , Monteverdi Ensemble Amsterdam ; Gustav Leonhardt . Philips 422 074-2 . Giacomo Antonio Perti : Messa a otto voci per soli , ripieni e strumenti . New College Choir di ...
Page 176
... Giovanni Battista . Sonate a 1. 2. 3. Venice , 1641. Facs . ed . Florence , 1981. Includes solo , duo , and trio sonatas for violins , and one sonata for three violins . All the solo and duo sonatas are edited by F. Cerha in vols . 13 ...
... Giovanni Battista . Sonate a 1. 2. 3. Venice , 1641. Facs . ed . Florence , 1981. Includes solo , duo , and trio sonatas for violins , and one sonata for three violins . All the solo and duo sonatas are edited by F. Cerha in vols . 13 ...
Page 390
... Giovanni Legrenzi : La Cetra ... Opus 10 , 1673. Cambridge , MA : Harvard University Press , 1992 , xiii - xvi . " Terminology for the Bass Violin in Seventeenth - Century Italy . " Journal of the American Musical Instrument Society 4 ...
... Giovanni Legrenzi : La Cetra ... Opus 10 , 1673. Cambridge , MA : Harvard University Press , 1992 , xiii - xvi . " Terminology for the Bass Violin in Seventeenth - Century Italy . " Journal of the American Musical Instrument Society 4 ...
Contents
Bel canto Style | 30 |
ANNE HARRINGTON | 43 |
GARY TOWNE Vocal Ensembles | 54 |
Copyright | |
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accompaniment appears articulation Baroque bass beat beginning called castrato changes choir cited common composers consort continuo cornett court dance described developed discussion divisions double drums early edition effect England English ensemble equal example expressive figures flute four France French German gives half hand harpsichord historical important indicate instruments Italian Italy keyboard known late later less lower lute means mentioned ments Mersenne musicians nature notation notes octave opera organ original ornamentation particularly performance period pieces pitch players playing position practice Praetorius produce proportion published range recorder refers Renaissance repertory require says seems seventeenth century signs singers singing solo sometimes sonatas soprano sound sources standard steps strings style suggests tactus technique tempo term theorbo third timpani tion tone trill trumpet tuning types usually viol violin vocal voice writing written