A Performer's Guide to Seventeenth-century Music: Edited by Stewart CarterStewart Carter This is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. |
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Page 136
... Michael Praetorius , Syntagma musicum , vol . 2 , Bärenreiter edi- tion . Bärenreiter Music Corporation , Englewood , NJ . Reprinted by permission . and played with agile movements of the fingers of the. 136 JOHN MICHAEL COOPER.
... Michael Praetorius , Syntagma musicum , vol . 2 , Bärenreiter edi- tion . Bärenreiter Music Corporation , Englewood , NJ . Reprinted by permission . and played with agile movements of the fingers of the. 136 JOHN MICHAEL COOPER.
Page 189
... Michael Praetorius in 1618 are commonly documented in German upper - class homes and courts by the end of the sixteenth and the beginning of the seventeenth century.59 Praetorius's drawings suggest that all sizes were in common use ...
... Michael Praetorius in 1618 are commonly documented in German upper - class homes and courts by the end of the sixteenth and the beginning of the seventeenth century.59 Praetorius's drawings suggest that all sizes were in common use ...
Page 401
... Michael Praetorius . " D.M.A. dis- sertation , University of Southern California , 1957. Selected excerpts with commentary by S. E. Plank in Historic Brass Society Journal 6 ( 1994 ) : 244–68 . Langwill , Lyndesay G. The Bassoon and ...
... Michael Praetorius . " D.M.A. dis- sertation , University of Southern California , 1957. Selected excerpts with commentary by S. E. Plank in Historic Brass Society Journal 6 ( 1994 ) : 244–68 . Langwill , Lyndesay G. The Bassoon and ...
Contents
Bel canto Style | 30 |
ANNE HARRINGTON | 43 |
GARY TOWNE Vocal Ensembles | 54 |
Copyright | |
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Common terms and phrases
accompaniment appears articulation Baroque bass beat beginning called castrato changes choir cited common composers consort continuo cornett court dance described developed discussion divisions double drums early edition effect England English ensemble equal example expressive figures flute four France French German gives half hand harpsichord historical important indicate instruments Italian Italy keyboard known late later less lower lute means mentioned ments Mersenne musicians nature notation notes octave opera organ original ornamentation particularly performance period pieces pitch players playing position practice Praetorius produce proportion published range recorder refers Renaissance repertory require says seems seventeenth century signs singers singing solo sometimes sonatas soprano sound sources standard steps strings style suggests tactus technique tempo term theorbo third timpani tion tone trill trumpet tuning types usually viol violin vocal voice writing written