A Performer's Guide to Seventeenth-century Music: Edited by Stewart Carter |
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Page 171
A more appropriate stance would be to view the world of the violin in the early
seventeenth century as an outgrowth and culmination of styles, practices, and
techniques of the Renaissance. As in the sixteenth century, a violinist's primary
role in ...
A more appropriate stance would be to view the world of the violin in the early
seventeenth century as an outgrowth and culmination of styles, practices, and
techniques of the Renaissance. As in the sixteenth century, a violinist's primary
role in ...
Page 400
In Kite-PoweW-Renaissance, 79-96. Kirnbauer, Martin. Verzeichnis der
Europaischen Musikinstrumente im Germanischen Nationalmuseum Nurnberg,
Band 11: Floten- und Rohrblattinstrumente bis 1750. Wilhelmshaven:
Heinrichshofen ...
In Kite-PoweW-Renaissance, 79-96. Kirnbauer, Martin. Verzeichnis der
Europaischen Musikinstrumente im Germanischen Nationalmuseum Nurnberg,
Band 11: Floten- und Rohrblattinstrumente bis 1750. Wilhelmshaven:
Heinrichshofen ...
Page 404
"Harp." In Kite-Powell-/?«iat$saric«, 154-60. . "Renaissance Flute." In Kite-Powell
-Renaissance, 56-62. . "Pitch and Transposition." In Kite-PowelW?fwtfissan«, 248
-56. . The Practical Acoustics of Early Woodwinds. DMA. dissertation, Stanford ...
"Harp." In Kite-Powell-/?«iat$saric«, 154-60. . "Renaissance Flute." In Kite-Powell
-Renaissance, 56-62. . "Pitch and Transposition." In Kite-PowelW?fwtfissan«, 248
-56. . The Practical Acoustics of Early Woodwinds. DMA. dissertation, Stanford ...
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