A Performer's Guide to Seventeenth-century Music: Edited by Stewart CarterStewart Carter This is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. |
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Page 171
... Renaissance . As in the sixteenth century , a violinist's primary role in the seventeenth century was to play dance music - a function that tended to make the construction of the seventeenth - century instrument more like that of the ...
... Renaissance . As in the sixteenth century , a violinist's primary role in the seventeenth century was to play dance music - a function that tended to make the construction of the seventeenth - century instrument more like that of the ...
Page 394
... Renaissance Violin . " Strings 5/1 ( July / August 1990 ) : 24–27 . “ The Violin . ” In Kite - Powell - Renaissance , 125–38 . Dowland , John . Andreas Ornithoparcus His Micrologus , or Introduction Containing the Art of Singing ...
... Renaissance Violin . " Strings 5/1 ( July / August 1990 ) : 24–27 . “ The Violin . ” In Kite - Powell - Renaissance , 125–38 . Dowland , John . Andreas Ornithoparcus His Micrologus , or Introduction Containing the Art of Singing ...
Page 404
... Renaissance , 154–60 . " Renaissance Flute . " In Kite - Powell - Renaissance , 56–62 . " Pitch and Transposition . " In Kite - Powell - Renaissance , 248–56 . The Practical Acoustics of Early Woodwinds . D.M.A. dissertation , Stanford ...
... Renaissance , 154–60 . " Renaissance Flute . " In Kite - Powell - Renaissance , 56–62 . " Pitch and Transposition . " In Kite - Powell - Renaissance , 248–56 . The Practical Acoustics of Early Woodwinds . D.M.A. dissertation , Stanford ...
Contents
Bel canto Style | 30 |
ANNE HARRINGTON | 43 |
GARY TOWNE Vocal Ensembles | 54 |
Copyright | |
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accompaniment Arbeau archlute articulation Baroque Baroque music bass line basso basso continuo beat branle canzonas castrati chitarrone choir chords choreographies cited composers concerted consort music continuo court curtal dance music discussion divisions double drums duple Early Music edition eighteenth England English ensemble example falsettists flute France French galliard German harpsichord Ibid important improvised indicate instru instruments Italian Italy Johann keyboard keyboard instruments lute lyra viol meantone melodic mensural ments Mersenne Mersenne-Harmonie universelle Mersenne's meter Michael Praetorius modern Monteverdi motets musicians notation note values octave opera organ ornamentation passaggi pavan performance practice pieces pitch standard players playing polyphony Praetorius Praetorius-Syntagma Praetorius's recorder Renaissance repertory sackbut seventeenth century shawms singers singing solo sonatas soprano sound sources strings style suggests surviving tactus technique teenth century temperament tempo tenor theorbo timpani tion tone Tosi transposition treatises tremolo trill trombones trumpet tuning vibrato viol viola violin violin band violinists vocal voice