A Performer's Guide to Seventeenth-century Music: Edited by Stewart CarterStewart Carter This is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. |
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Page 105
... motets published by Bernardino Borlasca in 1616 , the year in which he was also appointed Hofkapellmeister of the Bavarian court in Munich : The first choir is to consist of four principal parts with a soprano , castrato or pleasant ...
... motets published by Bernardino Borlasca in 1616 , the year in which he was also appointed Hofkapellmeister of the Bavarian court in Munich : The first choir is to consist of four principal parts with a soprano , castrato or pleasant ...
Page 111
... motets as In ecclesiis à 14 ( 3 cornetts , viola , 2 trombones , SATT soli , SATB ripieno , B.c. ) , Quem vidistis ... motets of such composers as Monteverdi , Rovetta , Grandi , Usper , Fontei , and Cavalli . Some of this music is avail ...
... motets as In ecclesiis à 14 ( 3 cornetts , viola , 2 trombones , SATT soli , SATB ripieno , B.c. ) , Quem vidistis ... motets of such composers as Monteverdi , Rovetta , Grandi , Usper , Fontei , and Cavalli . Some of this music is avail ...
Page 113
... motets by late - sixteenth - century Italian composers ( Ferrabosco , Marenzio , Lasso , Anerio , Rovigo , Vecchi , etc. ) , a variety of Pavanes and " Almandes " and miscellaneous other pieces partly attributed with initials , but ...
... motets by late - sixteenth - century Italian composers ( Ferrabosco , Marenzio , Lasso , Anerio , Rovigo , Vecchi , etc. ) , a variety of Pavanes and " Almandes " and miscellaneous other pieces partly attributed with initials , but ...
Contents
Bel canto Style | 30 |
ANNE HARRINGTON | 43 |
GARY TOWNE Vocal Ensembles | 54 |
Copyright | |
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accompaniment appears articulation Baroque bass beat beginning called castrato changes choir cited common composers consort continuo cornett court dance described developed discussion divisions double drums early edition effect England English ensemble equal example expressive figures flute four France French German gives half hand harpsichord historical important indicate instruments Italian Italy keyboard known late later less lower lute means mentioned ments Mersenne musicians nature notation notes octave opera organ original ornamentation particularly performance period pieces pitch players playing position practice Praetorius produce proportion published range recorder refers Renaissance repertory require says seems seventeenth century signs singers singing solo sometimes sonatas soprano sound sources standard steps strings style suggests tactus technique tempo term theorbo third timpani tion tone trill trumpet tuning types usually viol violin vocal voice writing written