A Performer's Guide to Seventeenth-century Music: Edited by Stewart CarterStewart Carter This is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. |
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Page 19
... vibrato for passionate expression . In any other context , polished singers , according to Bernhard , did not use pitch - fluctuation vibrato , which he termed tremolo , with the exception of basses , who used it seldom and only on ...
... vibrato for passionate expression . In any other context , polished singers , according to Bernhard , did not use pitch - fluctuation vibrato , which he termed tremolo , with the exception of basses , who used it seldom and only on ...
Page 38
... vibrato - perhaps on a dissonance , a leading tone , a tone aproached by chromatic half step , or a particularly expressive interval such as a tritone . Vibrato makes the note more like our " beautiful pearl , " but often this weakens ...
... vibrato - perhaps on a dissonance , a leading tone , a tone aproached by chromatic half step , or a particularly expressive interval such as a tritone . Vibrato makes the note more like our " beautiful pearl , " but often this weakens ...
Page 50
... vibrato the first time and con vibrato the second is an effective con- trast ) , or more emphatic , or more reflective - and the director's inter- pretation of the text will determine those choices . In ensemble singing , variation on ...
... vibrato the first time and con vibrato the second is an effective con- trast ) , or more emphatic , or more reflective - and the director's inter- pretation of the text will determine those choices . In ensemble singing , variation on ...
Contents
Bel canto Style | 30 |
ANNE HARRINGTON | 43 |
GARY TOWNE Vocal Ensembles | 54 |
Copyright | |
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accompaniment Arbeau archlute articulation Baroque Baroque music bass line basso basso continuo beat branle canzonas castrati chitarrone choir chords choreographies cited composers concerted consort music continuo court curtal dance music discussion divisions double drums duple Early Music edition eighteenth England English ensemble example falsettists flute France French galliard German harpsichord Ibid important improvised indicate instru instruments Italian Italy Johann keyboard keyboard instruments lute lyra viol meantone melodic mensural ments Mersenne Mersenne-Harmonie universelle Mersenne's meter Michael Praetorius modern Monteverdi motets musicians notation note values octave opera organ ornamentation passaggi pavan performance practice pieces pitch standard players playing polyphony Praetorius Praetorius-Syntagma Praetorius's recorder Renaissance repertory sackbut seventeenth century shawms singers singing solo sonatas soprano sound sources strings style suggests surviving tactus technique teenth century temperament tempo tenor theorbo timpani tion tone Tosi transposition treatises tremolo trill trombones trumpet tuning vibrato viol viola violin violin band violinists vocal voice