Pseudonymous Shakespeare: Rioting Language in the Sidney CircleAn investigation into modes of early modern English literary 'indirection, ' this study could also be considered a detective work on a pseudonym attached to some late sixteenth-century works. In the course of unmasking 'R.L.', McCarthy scrutinizes devices employed by writers in the Sidney coterie: punning, often across languages; repetitio-insistence on a sound, or hiding two persons 'under one hood'; disingenuous juxtaposition; evocation of original context; differential spelling (intended and significant). Among McCarthy's stunning-but solidly underpinned-conclusions are: Shakespeare used the pseudonym 'R.L.' among other pseudonyms; one, 'William Smith', was also his 'alias' in life; Shakespeare was at the heart of the Sidney circle, whose literary programme was hostile to Elizabeth I; and his work, composed mainly from the late 1570s to the early 90s, occasionally 'embedded' in the work of others, was covertly alluded to more often than has been recognized |
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Page 16
... present at the events , on which he made notes ; and the later statement that his notes on the festivities ran out , causing him to supplement the narrative with an account of his diurnal round ? Because a young page could not have ...
... present at the events , on which he made notes ; and the later statement that his notes on the festivities ran out , causing him to supplement the narrative with an account of his diurnal round ? Because a young page could not have ...
Page 35
... present at the festivities . It runs from the point reached by Gascoigne and leads into a verse drama of the next instalment of the lowly suitor saga . It is anonymous . The two accounts constitute the arena in which we can vindicate ...
... present at the festivities . It runs from the point reached by Gascoigne and leads into a verse drama of the next instalment of the lowly suitor saga . It is anonymous . The two accounts constitute the arena in which we can vindicate ...
Page 57
... present the evidence of the poet's ' idiolect ' or personal idiosyncrasies of speech under headings in Table 3.1 . One candidate sometimes canvassed for authorship of Diella and Dom Diego is Richard Linche , who clearly knew Italian ...
... present the evidence of the poet's ' idiolect ' or personal idiosyncrasies of speech under headings in Table 3.1 . One candidate sometimes canvassed for authorship of Diella and Dom Diego is Richard Linche , who clearly knew Italian ...
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Pseudonymous Shakespeare: Rioting Language in the Sidney Circle Penny McCarthy No preview available - 2016 |
Common terms and phrases
Abenjacán allusion Astrophel authorship Barnfield's Burbage Cambridge character Chloris Comedy contemporary coterie Cuddie Cymbeline dedication Diego Diella Dudley Duncan-Jones Earl eclogue edition Edward elegy Elizabethan English Epistle fact father Gabriel Harvey Ganimede Gascoigne Gascoigne's George Gascoigne gloss Greene Greene's Harvey's hath Henry historical Humfrey identity Italian John joke Jonson Kenilworth King Klawitter Lady Langham Latin Leicester Leicester's Lenten Stuffe Letter lines literary London Macbeth manuscript Marlowe Mary Sidney meaning Mercury Nashe's Nicholas Breton Oxford pamphlet Paper Book patron patronage Patten Philip Sidney poem poet poetic poetry printed pseudonym published Queen reader reference Richard Richard Lichfield Robert Robert Greene servant Shepheardes Calender Sidneian Sidney circle Sidney's song sonnet Spenser Stella story Stratford suggest supposed Thomas Nashe thou Titus Andronicus translation University Press verse vols William Shakespeare William Smith Winchester College Winter's Tale words writing young