5 Hers are the eyes which, over and beneath, ΙΟ The sky and sea bend on thee, which can draw, By sea or sky or woman, to one law, The allotted bondman of her palm and wreath. This is that Lady Beauty, in whose praise Thy voice and hand shake still, long known to thee By flying hair and fluttering hem, the beat Following her daily of thy heart and feet, How passionately and irretrievably, In what fond flight, how many ways and days! In this sonnet is felt the rhythmical pursuit of the human heart after beauty which according to Byron is: "A chase of idle hopes and fears, Begun in folly, closed in tears." LOVESIGHT HOUSE OF LIFE IV When do I see thee most, beloved one? The worship of that Love through thee made known? O love, my love! if I no more should see Nor image of thine eyes in any spring,- What are the rules for the perfect construction of a modern sonnet; and how does it differ from the Shakesperian and the Miltonic? Analyse the thought of the sestet. Fine critics place Rossetti at the head of all nineteenth century sonnet writers. What is Pre-Raphaelitism? Rossetti is the poet of medieval romanticism. THE BLESSED DAMOZEL The blessed damozel leaned out 5 She had three lilies in her hand, Her seemed she scarce had been a day 15 The wonder was not yet quite gone 20. Albeit, to them she left, her day (To one, it is ten years of years. Yet now, and in this place, Fell all about my face Nothing: the autumn fall of leaves. The whole year sets apace.) 25 It was the rampart of God's house That she was standing on; 30 By God built over the sheer depth So high, that looking downward thence It lies in Heaven, across the flood Beneath, the tides of day and night 35 The void, as low as where this earth 40 Around her, lovers, newly met And still she bowed herself and stooped 45 Until her bosom must have made 50 And the lilies lay as if asleep Along her bended arm. From the fixed place of Heaven she saw Time like a pulse shake fierce Through all the world. Her gaze still strove Its path; and now she spoke as when The stars sang in their spheres. 55 The sun was gone now; the curled moon Was like a little feather 60 Fluttering far down the gulf; and now She spoke through the still weather. (Ah sweet! Even now, in that bird's song, Strove not her accents there, Fain to be harkened? When those bells Possessed the mid-day air, 65 Strove not her steps to reach my side Down all the echoing stair?) 70 'I wish that he were come to me, For he will come,' she said. Lord, Lord, has he not pray'd? on earth, Are not two prayers a perfect strength? 'When round his head the aureole clings, And he is clothed in white, 75 I'll take his hand and go with him To the deep wells of light; 80 As unto a stream we will step down, 'We two will stand beside that shrine, Whose lamps are stirred continually With prayer sent up to God; And see our old prayers, granted, melt 85. 'We two will lie i' the shadow of That living mystic tree 90 Within whose secret growth the Dove While every leaf that His plumes touch 'And I myself will teach to him, I myself, lying so, The songs I sing here; which his voice 95 And find some knowledge at each pause, Or some new thing to know.' 100 (Alas! We two, we two, thou say'st! That once of old. But shall God lift To endless unity The soul whose likeness with thy soul 'We two,' she said, 'will seek the groves Where the lady Mary is, 105 With her five handmaidens, whose names Are five sweet symphonies, IIO Cecily, Gertrude, Magdalen, Circlewise sit they, with bound locks And foreheads garlanded; Into the fine cloth white like flame To fashion the birth-robes for them Who are just born, being dead. |