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Page 25
... verse of M. Claudel contains the final secret of Jean - Jacques . He found in himself some- thing more him than himself . Therefore he declared : There is a God . But he sought to work out a logical foundation for these pinnacles of ...
... verse of M. Claudel contains the final secret of Jean - Jacques . He found in himself some- thing more him than himself . Therefore he declared : There is a God . But he sought to work out a logical foundation for these pinnacles of ...
Page 35
... verses on his ' home , ' which we have already quoted , he passes beyond these limits . He has still more to tell of the experience of the soul fronting its own infinity : — ' So memory made Parting to - day a double pain : First ...
... verses on his ' home , ' which we have already quoted , he passes beyond these limits . He has still more to tell of the experience of the soul fronting its own infinity : — ' So memory made Parting to - day a double pain : First ...
Page 39
... verses written in the seeming - strong vernacular of literary Dublin , as it were a hospitable bench placed outside the door . They are indeed inside the house , but by accident or for temporary shelter . They do not , as the phrase ...
... verses written in the seeming - strong vernacular of literary Dublin , as it were a hospitable bench placed outside the door . They are indeed inside the house , but by accident or for temporary shelter . They do not , as the phrase ...
Page 53
... verse to be predominantly musical ; but in the more important sense of desiring to take a man seriously who declares for anything ' avant toute chose . ' It is the ' avant toute chose ' that matters , not as a profession of faith - we ...
... verse to be predominantly musical ; but in the more important sense of desiring to take a man seriously who declares for anything ' avant toute chose . ' It is the ' avant toute chose ' that matters , not as a profession of faith - we ...
Page 55
... verse . < If one were to seek in English the lyrical poem to which Hopkins's definition could be most fittingly applied , one would find Shelley's Skylark . ' A technical progression onwards from the Skylark ' is accordingly the main ...
... verse . < If one were to seek in English the lyrical poem to which Hopkins's definition could be most fittingly applied , one would find Shelley's Skylark . ' A technical progression onwards from the Skylark ' is accordingly the main ...
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Common terms and phrases
achievement ęsthetic Aiken Anatole France apprehension argument Aristotle artist attitude avant toute chose beauty believe Butler Charles Sorley Coleridge Coleridge's comprehension consciousness Constance Garnett conviction creative death dream emotion English essay essential experience express eyes fact feel Flesh Function of Criticism genius GERALD GOULD Hardy Hardy's poetry heart human Hyperion ideal imagination infinitely intuition Jean-Jacques Keats Keats's kind Lake of Bienne language less letters lines literary criticism literature living logic lyrical manifest Masefield melody merely mind modern moral never novel ourselves passionate perhaps philosophic critic poem poet poet's principles prose recognise rhythm Ronsard Rousseau Samuel Butler seems sense Shakespeare Sidney Colvin SIR ALFRED SCOTT-GATTY Sir Sidney sonnets Sorley soul spirit stand strange T. S. Eliot Tchehov things Thomas Hardy thought tion true truth unity verse vision whole wisdom wise word Wordsworth writer written wrote
Popular passages
Page 62 - I caught this morning morning's minion, kingdom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding Of the rolling level underneath him steady air, and striding High there, how he rung upon the rein of a wimpling wing In his ecstasy! then off, off forth on swing, As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding Rebuffed the big wind. My heart in hiding Stirred for a bird,— the achieve of, the mastery of the thing!
Page 150 - purge off, Benign, if so it please thee, my mind's film.' 'None can usurp this height,' returned that shade, 'But those to whom the miseries of the world Are misery, and will not let them rest.
Page 59 - I wake and feel the fell of dark, not day. What hours, O what black hours we have spent This night! what sights you, heart, saw; ways you went! And more must, in yet longer light's delay.
Page 69 - Hyperion" — there were too many Miltonic inversions in it — Miltonic verse cannot be written but in an artful, or, rather, artist's humour. I wish to give myself up to other sensations. English ought to be kept up.
Page 189 - A second promise of genius is the choice of subjects very remote from the private interests and circumstances of the writer himself. At least I have found that where the subject is taken immediately from the author's personal sensations and experiences, the excellence of a particular poem is but an equivocal mark, and often a fallacious pledge, of genuine poetic power.
Page 45 - I KNOW that I shall meet my fate Somewhere among the clouds above ; Those that I fight I do not hate, Those that I guard I do not love ; My country is Kiltartan Cross, My countrymen Kiltartan's poor, No likely end could bring them loss Or leave them happier than before. Nor law, nor duty bade me fight, Nor public men, nor cheering crowds, A lonely impulse of delight...
Page 75 - By an immortal sickness which kills not ; It works a constant change, which happy death Can put no end to ; deathwards progressing To no death...
Page 125 - We stood by a pond that winter day, And the sun was white, as though chidden of God, And a few leaves lay on the starving sod; — They had fallen from an ash, and were gray.
Page 58 - But as air, melody, is what strikes me most of all in music and design in painting, so design, pattern or what I am in the habit of calling 'inscape' is what I above all aim at in poetry. Now it is the virtue of design, pattern, or inscape to be distinctive and it is the vice of distinctiveness to become queer. This vice I cannot have escaped.
Page 75 - The lily and the snow ; and beyond these I must not think now, though I saw that face. But for her eyes I should have fled away ; They held me back with a benignant light, Soft, mitigated by divinest lids Half-clos'd, and visionless entire they seem'd Of all external things...