Byron: A Survey |
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Page 184
A Survey Bernard Blackstone. The canto of transit The opening stanzas of Canto III add up to a rather remarkable gallimaufry . The crude but sharp contours of Canto I , the classical proportions of Canto II , have vanished.1 We are here ...
A Survey Bernard Blackstone. The canto of transit The opening stanzas of Canto III add up to a rather remarkable gallimaufry . The crude but sharp contours of Canto I , the classical proportions of Canto II , have vanished.1 We are here ...
Page 211
... Canto IV , is the extreme subtlety with which Byron conducts us from the warm Venetian vistas of stanzas i - xix , via this confessional interlude , into the austerities of the Roman temenos . Not at once , of course , not without a ...
... Canto IV , is the extreme subtlety with which Byron conducts us from the warm Venetian vistas of stanzas i - xix , via this confessional interlude , into the austerities of the Roman temenos . Not at once , of course , not without a ...
Page 348
... Canto XIII after a nine - canto absence ; that ' rose ' , one of Byron's most potent symbols , hardly appears between Canto II and Canto XIII ; that there is a ten canto interval for ' dew ' until its restoration in Canto XVI ; that ...
... Canto XIII after a nine - canto absence ; that ' rose ' , one of Byron's most potent symbols , hardly appears between Canto II and Canto XIII ; that there is a ten canto interval for ' dew ' until its restoration in Canto XVI ; that ...
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Annabella Athens Augusta Blake Blake's Burnt Norton Byron Byronic hero Cain called Canto cave centre Childe Harold childhood Childish Recollections Coleridge Coliseum complex context critics Dante dark death Don Juan drama dream earth Edleston elements Eliot English Bards episode eternity feel final flowers Giaour Greece Greek guilt Haidée Harold III Harrow heart Heaven Hebrew Melodies hero Hobhouse Hours of Idleness human ideogram irony Islam Journal Juan's Lachin lake later letter lines Little Gidding living Lord Lord Byron Loutraki Manfred Marino Faliero metaphysical mind mountains moving Nature never Newstead Newstead Abbey Norman Abbey o'er Olympeion opening Ossianic Paradise passage passion Pilgrimage play poem poet poetic poetry present romantic Sardanapalus satire scene sense sexual Shelley skull song soul spirit stanza tender thee theme things thou thought Turkish Venice verse vision wave Werner whole wisdom Wordsworth writing