Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Volume 10In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Page 25
... Antony are on board Pom- pey's galley , and Pompey , as well as Antony , is anxious to turn the gathering into a drunken Alexandrian feast . Caesar , however , ob- jects to the revelry , and in response to Antony's suggestion that he ...
... Antony are on board Pom- pey's galley , and Pompey , as well as Antony , is anxious to turn the gathering into a drunken Alexandrian feast . Caesar , however , ob- jects to the revelry , and in response to Antony's suggestion that he ...
Page 28
... Antony's death with Antony's re- sponse to his own death , we demonstrably arrive at two antithetical interpretations of individual life — the one full of tragic expecta- tions , the other just as fully denying those expectations ...
... Antony's death with Antony's re- sponse to his own death , we demonstrably arrive at two antithetical interpretations of individual life — the one full of tragic expecta- tions , the other just as fully denying those expectations ...
Page 29
... Antony's mouth : " Husband , I come ! " ( V.ii.287 ) , suggesting not only a spir- itual destination , but an act of ... Antony's much earlier lines , “ Let Rome in Tiber melt , and the wide arch / Of the ranged Empire fall ! " ( I.i ...
... Antony's mouth : " Husband , I come ! " ( V.ii.287 ) , suggesting not only a spir- itual destination , but an act of ... Antony's much earlier lines , “ Let Rome in Tiber melt , and the wide arch / Of the ranged Empire fall ! " ( I.i ...
Contents
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Copyright | |
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Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Limited preview - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Limited preview - 2021 |
Common terms and phrases
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey