English Study and English Writing |
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Page 14
... explain your subjects in the class . 2. Make an outline suitable for a composition on any of the topics : My home town ; the advantage of going away to school ; the right way to prepare a lesson in mathematics , history , or English ...
... explain your subjects in the class . 2. Make an outline suitable for a composition on any of the topics : My home town ; the advantage of going away to school ; the right way to prepare a lesson in mathematics , history , or English ...
Page 20
... explanation , introduction , and other preliminaries . They often contain little of permanent value , but serve the rather to get a right attitude or understanding toward the subject under discussion . Some written and much of our oral ...
... explanation , introduction , and other preliminaries . They often contain little of permanent value , but serve the rather to get a right attitude or understanding toward the subject under discussion . Some written and much of our oral ...
Page 37
... explain some principle of good speaking . Other things besides grammar may be considered . 5. After having studied the preceding chapter , collect a list of your own worst faults . How many kinds of error do you notice besides those ...
... explain some principle of good speaking . Other things besides grammar may be considered . 5. After having studied the preceding chapter , collect a list of your own worst faults . How many kinds of error do you notice besides those ...
Page 47
... explained , spend- ing about six weeks on a single play . His habits were irregular , eating at night , retiring in the early morning , and late to business . Through the influence of my brother , and wishing to gain a better ...
... explained , spend- ing about six weeks on a single play . His habits were irregular , eating at night , retiring in the early morning , and late to business . Through the influence of my brother , and wishing to gain a better ...
Page 62
... explain ; only we know that we are offended somehow , not by the thought so much as by the manner of composition of a sentence . Endings which cause most trouble are ing , ness , ly , ful , able , ion ; for instance , notice the effect ...
... explain ; only we know that we are offended somehow , not by the thought so much as by the manner of composition of a sentence . Endings which cause most trouble are ing , ness , ly , ful , able , ion ; for instance , notice the effect ...
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Common terms and phrases
accent adverb argument audience Banquo beginning Bret Harte called character CHARLOTTE BRONTĖ choose comma common composition Correct debate definite divisions drama Edgar Allan Poe effect emotion English essay express fact familiar fiction figures follow grammar human iambic pentameter idea illustrate interest J. H. NEWMAN kinds language letter literary literature logical Lorna Doone Macbeth material meaning method metonymy narrative nature never notice novel oral outline paper paragraph periodic sentence person phrases play plot poem poetry poets pronoun reason rime Robert Louis Stevenson Rudyard Kipling scene Shakespeare short story Shylock simple single sometimes speaker speaking speech statement Stevenson student style syllables talk tell tence Tennessee's Partner things thought tion topic sentence verb whole Wilkins-Freeman words writing written
Popular passages
Page 103 - A steadfast concert for peace can never be maintained except by a partnership of democratic nations. No autocratic government could be trusted to keep faith within it or observe its covenants: It must be a league of honor, a partnership of opinion.
Page 102 - O eloquent, just, and mighty Death! whom none could advise, thou hast persuaded; what none hath dared, thou hast done; and whom all the world hath flattered, thou only hast cast out of the world and despised: thou hast drawn together all the far-stretched greatness, all the pride, cruelty, and ambition of man, and covered it all over with these two narrow words, Hie jacet.
Page 93 - The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together.
Page 286 - The world is too much with us ; late and soon, Getting and spending, we lay waste our powers ; Little we see in Nature that is ours ; We have given our hearts away, a sordid boon...
Page 102 - But the Nightingale, another of my airy creatures, breathes such sweet loud music out of her little instrumental throat, that it might make mankind to think miracles are not ceased. He that at midnight, when the very labourer sleeps securely, should hear, as I have very often, the clear airs, the sweet descants, the natural rising and falling, the doubling and redoubling of her voice, might well be lifted above earth, and say...
Page 119 - Dry clash'd his harness in the icy caves And barren chasms, and all to left and right The bare black cliff clang'd round him, as he based His feet on juts of slippery crag that rang Sharp-smitten with the dint of armed heels — And on a sudden, lo ! the level lake, And the long glories of the winter moon.
Page 213 - In the whole composition there should be no word written, of which the tendency, direct or indirect, is not to the one preestablished design.
Page 287 - When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme In praise of ladies dead and lovely knights, Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.
Page 132 - For a thousand years in thy sight are but as yesterday when it is past, and as a watch in the night. Thou earnest them away as with a flood; they are as a sleep: in the morning they are like grass which groweth up. In the morning it flourisheth, and groweth up; in the evening it is cut down, and withereth.
Page 284 - But let my due feet never fail To walk the studious cloister's pale, And love the high embowed roof, With antique pillars massy proof, And storied windows richly dight, Casting a dim religious light.