English Study and English Writing |
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Page iii
... rules of writing , since the times of Aristotle , have been expounded by many generations of competent scholars . Still criticism persists . Those who teach , and some of those who receive instruction , are often confronted by the ...
... rules of writing , since the times of Aristotle , have been expounded by many generations of competent scholars . Still criticism persists . Those who teach , and some of those who receive instruction , are often confronted by the ...
Page iv
... rules and precepts . Other texts skip these altogether , and assume that the student knows how to write , and is now ready to enjoy and appreciate good literature . Alas , many a high school senior , and many a fresh- man in college ...
... rules and precepts . Other texts skip these altogether , and assume that the student knows how to write , and is now ready to enjoy and appreciate good literature . Alas , many a high school senior , and many a fresh- man in college ...
Page 1
... rules of composition ; the actual writing itself may be called an art . English composition is now taught as an everyday affair . It is not something for show in our leisure mo- ments , but is the human medium by means of which we ...
... rules of composition ; the actual writing itself may be called an art . English composition is now taught as an everyday affair . It is not something for show in our leisure mo- ments , but is the human medium by means of which we ...
Page 2
... rules ; that is the textbook on English composition . From it we learn what is good form . Second , we observe the habits and effective methods of authors that are acknowledged to be worthy of interest . No book on rhetoric would be ...
... rules ; that is the textbook on English composition . From it we learn what is good form . Second , we observe the habits and effective methods of authors that are acknowledged to be worthy of interest . No book on rhetoric would be ...
Page 7
... rules for making outlines . By taking a little care , one can soon learn how to construct outlines and briefs . 1. Be sure the subject is divided logically . Headings must not overlap in form or meaning . Material once stated should be ...
... rules for making outlines . By taking a little care , one can soon learn how to construct outlines and briefs . 1. Be sure the subject is divided logically . Headings must not overlap in form or meaning . Material once stated should be ...
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Common terms and phrases
accent adverb argument audience Banquo beginning Bret Harte called character CHARLOTTE BRONTË choose comma common composition Correct debate definite divisions drama Edgar Allan Poe effect emotion English essay express fact familiar fiction figures follow grammar human iambic pentameter idea illustrate interest J. H. NEWMAN kinds language letter literary literature logical Lorna Doone Macbeth material meaning method metonymy narrative nature never notice novel oral outline paper paragraph periodic sentence person phrases play plot poem poetry poets pronoun reason rime Robert Louis Stevenson Rudyard Kipling scene Shakespeare short story Shylock simple single sometimes speaker speaking speech statement Stevenson student style syllables talk tell tence Tennessee's Partner things thought tion topic sentence verb whole Wilkins-Freeman words writing written
Popular passages
Page 103 - A steadfast concert for peace can never be maintained except by a partnership of democratic nations. No autocratic government could be trusted to keep faith within it or observe its covenants: It must be a league of honor, a partnership of opinion.
Page 102 - O eloquent, just, and mighty Death! whom none could advise, thou hast persuaded; what none hath dared, thou hast done; and whom all the world hath flattered, thou only hast cast out of the world and despised: thou hast drawn together all the far-stretched greatness, all the pride, cruelty, and ambition of man, and covered it all over with these two narrow words, Hie jacet.
Page 93 - The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together.
Page 286 - The world is too much with us ; late and soon, Getting and spending, we lay waste our powers ; Little we see in Nature that is ours ; We have given our hearts away, a sordid boon...
Page 102 - But the Nightingale, another of my airy creatures, breathes such sweet loud music out of her little instrumental throat, that it might make mankind to think miracles are not ceased. He that at midnight, when the very labourer sleeps securely, should hear, as I have very often, the clear airs, the sweet descants, the natural rising and falling, the doubling and redoubling of her voice, might well be lifted above earth, and say...
Page 119 - Dry clash'd his harness in the icy caves And barren chasms, and all to left and right The bare black cliff clang'd round him, as he based His feet on juts of slippery crag that rang Sharp-smitten with the dint of armed heels — And on a sudden, lo ! the level lake, And the long glories of the winter moon.
Page 213 - In the whole composition there should be no word written, of which the tendency, direct or indirect, is not to the one preestablished design.
Page 287 - When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme In praise of ladies dead and lovely knights, Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.
Page 132 - For a thousand years in thy sight are but as yesterday when it is past, and as a watch in the night. Thou earnest them away as with a flood; they are as a sleep: in the morning they are like grass which groweth up. In the morning it flourisheth, and groweth up; in the evening it is cut down, and withereth.
Page 284 - But let my due feet never fail To walk the studious cloister's pale, And love the high embowed roof, With antique pillars massy proof, And storied windows richly dight, Casting a dim religious light.