British Television Drama: Past, Present and FutureJ. Bignell, S. Lacey Featuring leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future. |
Contents
| 1925 | |
Contexts | 1943 |
Introduction to Part I | 1957 |
Sydney Newman and the Golden Age | 1960 |
Then and | 1969 |
Then and | 5 |
Coronation Street in the 1990s | 1984 |
Persuaded? The Impact of Changing Production Contexts on Three Adaptations | 1996 |
Introduction to Part II | 2010 |
The Effect of the Internal Market on Television | 9 |
Reinventing the British Costume Drama | |
Timothy West discusses Acting on Stage Acting on Screen | |
The Dramatisation of Northern Ireland | |
Coded Dissent in Femaleauthored Wednesday Plays | |
Gender Genre and Lynda La Plante | |
Select Bibliography | |
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Common terms and phrases
actors aesthetic Alan Plater Armchair Theatre Ashes to Ashes BBC’s BBC1 Bignell British Film Institute British Television Drama broadcast Brookside camera Channel chapter characters children's television cinema close-up contemporary Coronation Street costume drama creative critical cultural David Dennis Potter detectives director discourse Doctor Downton Abbey Drake drama series edition editor episode example fiction film and television gender genre Golden Age Gosford Park Head of Drama Hunt John Lacey London male Manchester University Press move narrative Northern Ireland performance Persuasion Play for Today police political popular production context programme-makers programmes relationship representation Sarah Jane Adventures Sarah Jane Smith scene Screen script serial shooting shot single play soap opera social space story studio style Sydney Newman Television Studies textual Tony Garnett TV drama University of Reading viewers visual watch Waterloo Road Wednesday Play women writers


