Modern Theatre Practice |
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Page 280
... BUILDING CLIMAXES These considerations of tempo and rhythm have brought us several times to the discussion once again of the matter of climaxes , pre- viously discussed in other relations . In Chapter 2 it was stated that climax may be ...
... BUILDING CLIMAXES These considerations of tempo and rhythm have brought us several times to the discussion once again of the matter of climaxes , pre- viously discussed in other relations . In Chapter 2 it was stated that climax may be ...
Page 281
... building of a climax , observed often , along with increased tempo , in quarrel scenes . Climax also occurs in drama as the result of dis- covery . A discovery may come about gradually and hence build to its high point , or it may be ...
... building of a climax , observed often , along with increased tempo , in quarrel scenes . Climax also occurs in drama as the result of dis- covery . A discovery may come about gradually and hence build to its high point , or it may be ...
Page 318
... building flats , the last in building ceilings , door frames , and so forth . In sur- facing a strip at the yard , about 4 inch is planed off the thickness and about 1⁄2 inch off the width , making a so - called 1- x 2 - inch strip ...
... building flats , the last in building ceilings , door frames , and so forth . In sur- facing a strip at the yard , about 4 inch is planed off the thickness and about 1⁄2 inch off the width , making a so - called 1- x 2 - inch strip ...
Contents
Theatre Arts | 3 |
Setting for The Caucasian Chalk Circle | 23 |
Analysis of Plays | 30 |
Copyright | |
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academic theatre acting area action actor arena staging arrangement artist audience autotransformer batten become Broadway theatre California State University canvas cast changes Chapter character characterization climax color comedy comic community theatres complete costume and makeup curtain cyclorama designer devices dialogue diction dimmer directing director discussion Doll's House door downstage drama dress rehearsals emotional employed entrance especially Figure flat floor footlights frame Fresnel lens Hamlet important inches individual instruments interpretation kind lamp lines means ment method modern Molière movement nature organization paint pantomimic dramatization pattern performance piece platform play playwright plot probability production proscenium question reading rehearsals realistic rehearsal period rendering require rhythm role scene scenery Section selection Shakespeare space arts speech spotlights stage lighting striplights style technical rehearsals techniques theatre arts thrust stage tion tragedy tryouts units upstage usually utilized visual wall whole York