Modern Theatre Practice |
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Page 65
... discussion it was indi- cated that style is based upon the dramatist's conception of the world he is creating , that ... discuss the style of Elizabethan or of Greek drama in general , emphasizing the philosophy of reality in that drama ...
... discussion it was indi- cated that style is based upon the dramatist's conception of the world he is creating , that ... discuss the style of Elizabethan or of Greek drama in general , emphasizing the philosophy of reality in that drama ...
Page 195
... discussion of the play . The director has several objectives in this preliminary discussion . He is , first , attempting to make the actors see clearly just what is aimed at . Second , he is attempting to fire the imaginations of the ...
... discussion of the play . The director has several objectives in this preliminary discussion . He is , first , attempting to make the actors see clearly just what is aimed at . Second , he is attempting to fire the imaginations of the ...
Page 201
... discussion of " Spectacle " ; to turn to Chapter 5 and read again the discussion of the planning of business ; and to turn to Chapter 8 and read the materials therein on pantomimic dramatiza- tion and the principle involved in placing ...
... discussion of " Spectacle " ; to turn to Chapter 5 and read again the discussion of the planning of business ; and to turn to Chapter 8 and read the materials therein on pantomimic dramatiza- tion and the principle involved in placing ...
Contents
Theatre Arts | 3 |
Setting for The Caucasian Chalk Circle | 23 |
Analysis of Plays | 30 |
Copyright | |
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academic theatre acting area action actor arena staging arrangement artist audience autotransformer batten become Broadway theatre California State University canvas cast changes Chapter character characterization climax color comedy comic community theatres complete costume and makeup curtain cyclorama designer devices dialogue diction dimmer directing director discussion Doll's House door downstage drama dress rehearsals emotional employed entrance especially Figure flat floor footlights frame Fresnel lens Hamlet important inches individual instruments interpretation kind lamp lines means ment method modern Molière movement nature organization paint pantomimic dramatization pattern performance piece platform play playwright plot probability production proscenium question reading rehearsals realistic rehearsal period rendering require rhythm role scene scenery Section selection Shakespeare space arts speech spotlights stage lighting striplights style technical rehearsals techniques theatre arts thrust stage tion tragedy tryouts units upstage usually utilized visual wall whole York