Modern Theatre Practice |
From inside the book
Results 1-3 of 91
Page 35
... effects upon reader and audience . These effects are what are called the powers of the play . It is quite proper , therefore , to speak of a play in production as an effect , or rather as a series of harmonious effects upon an audience ...
... effects upon reader and audience . These effects are what are called the powers of the play . It is quite proper , therefore , to speak of a play in production as an effect , or rather as a series of harmonious effects upon an audience ...
Page 36
... effects may be a mingling of laughter with ridicule and satire , such as we find in Boy Meets Girl by Bella and Samuel Spewack , or with a more savage intensity in Ben Jonson's Volpone . In trying to determine the effect or effects of ...
... effects may be a mingling of laughter with ridicule and satire , such as we find in Boy Meets Girl by Bella and Samuel Spewack , or with a more savage intensity in Ben Jonson's Volpone . In trying to determine the effect or effects of ...
Page 528
... effect which can evoke the exact effect needed for a particular scene . Perhaps an explosion effect available in a sound effects library does not have the required spatial relationship . The quality of a blizzard or storm might not be ...
... effect which can evoke the exact effect needed for a particular scene . Perhaps an explosion effect available in a sound effects library does not have the required spatial relationship . The quality of a blizzard or storm might not be ...
Contents
Theatre Arts | 3 |
Setting for The Caucasian Chalk Circle | 23 |
Analysis of Plays | 30 |
Copyright | |
153 other sections not shown
Common terms and phrases
academic theatre acting area action actor arena staging arrangement artist audience autotransformer batten become Broadway theatre California State University canvas cast changes Chapter character characterization climax color comedy comic community theatres complete costume and makeup curtain cyclorama designer devices dialogue diction dimmer directing director discussion Doll's House door downstage drama dress rehearsals emotional employed entrance especially Figure flat floor footlights frame Fresnel lens Hamlet important inches individual instruments interpretation kind lamp lines means ment method modern Molière movement nature organization paint pantomimic dramatization pattern performance piece platform play playwright plot probability production proscenium question reading rehearsals realistic rehearsal period rendering require rhythm role scene scenery Section selection Shakespeare space arts speech spotlights stage lighting striplights style technical rehearsals techniques theatre arts thrust stage tion tragedy tryouts units upstage usually utilized visual wall whole York