Modern Theatre Practice |
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Page 160
... interpret any play in exactly the same way ; indeed , it is doubtful if two different directors could render precisely the same interpretation of a play . To the extent that a director succeeds in communicating his interpretation of the ...
... interpret any play in exactly the same way ; indeed , it is doubtful if two different directors could render precisely the same interpretation of a play . To the extent that a director succeeds in communicating his interpretation of the ...
Page 194
... interpretation of lines should not , therefore , be set by repetition in rehearsals if they are not correct and to be retained . 7 READING REHEARSALS In order that the whole interpretation may be correct from the beginning , the ...
... interpretation of lines should not , therefore , be set by repetition in rehearsals if they are not correct and to be retained . 7 READING REHEARSALS In order that the whole interpretation may be correct from the beginning , the ...
Page 254
... interpretation to others and train them in executing it . He must teach and coach actors in the interpretations of their roles . The less the technical training of the actors cast in the production , the more prominent this function ...
... interpretation to others and train them in executing it . He must teach and coach actors in the interpretations of their roles . The less the technical training of the actors cast in the production , the more prominent this function ...
Contents
Theatre Arts | 3 |
Setting for The Caucasian Chalk Circle | 23 |
Analysis of Plays | 30 |
Copyright | |
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academic theatre acting area action actor arena staging arrangement artist audience autotransformer batten become Broadway theatre California State University canvas cast changes Chapter character characterization climax color comedy comic community theatres complete costume and makeup curtain cyclorama designer devices dialogue diction dimmer directing director discussion Doll's House door downstage drama dress rehearsals emotional employed entrance especially Figure flat floor footlights frame Fresnel lens Hamlet important inches individual instruments interpretation kind lamp lines means ment method modern Molière movement nature organization paint pantomimic dramatization pattern performance piece platform play playwright plot probability production proscenium question reading rehearsals realistic rehearsal period rendering require rhythm role scene scenery Section selection Shakespeare space arts speech spotlights stage lighting striplights style technical rehearsals techniques theatre arts thrust stage tion tragedy tryouts units upstage usually utilized visual wall whole York