Modern Theatre Practice |
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Page 76
... material of plot is character and the material of character is thought in all its aspects . But the kinds of characters that a play- wright puts into a play are determined by the kinds of actions which they have to do throughout the ...
... material of plot is character and the material of character is thought in all its aspects . But the kinds of characters that a play- wright puts into a play are determined by the kinds of actions which they have to do throughout the ...
Page 78
... material elements , however , plot has three material causes . The first of these is what goes on inside the characters . Their feelings , emotions , thoughts , motivations from within con- stitute the basic materials of plot ...
... material elements , however , plot has three material causes . The first of these is what goes on inside the characters . Their feelings , emotions , thoughts , motivations from within con- stitute the basic materials of plot ...
Page 343
... material at the rear , and two shorter ones , the arms , pivoted to its ends with 5 to 8 - inch strap hinges , carry the material downstage and off . As draperies are nearly always hung in folds , sufficient material must be ordered to ...
... material at the rear , and two shorter ones , the arms , pivoted to its ends with 5 to 8 - inch strap hinges , carry the material downstage and off . As draperies are nearly always hung in folds , sufficient material must be ordered to ...
Contents
Theatre Arts | 3 |
Setting for The Caucasian Chalk Circle | 23 |
Analysis of Plays | 30 |
Copyright | |
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academic theatre acting area action actor arena staging arrangement artist audience autotransformer batten become Broadway theatre California State University canvas cast changes Chapter character characterization climax color comedy comic community theatres complete costume and makeup curtain cyclorama designer devices dialogue diction dimmer directing director discussion Doll's House door downstage drama dress rehearsals emotional employed entrance especially Figure flat floor footlights frame Fresnel lens Hamlet important inches individual instruments interpretation kind lamp lines means ment method modern Molière movement nature organization paint pantomimic dramatization pattern performance piece platform play playwright plot probability production proscenium question reading rehearsals realistic rehearsal period rendering require rhythm role scene scenery Section selection Shakespeare space arts speech spotlights stage lighting striplights style technical rehearsals techniques theatre arts thrust stage tion tragedy tryouts units upstage usually utilized visual wall whole York