Modern Theatre Practice |
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Page 142
... METHODS OF CASTING Whether or not he utilizes the services of a committee , every direc- tor has three major methods for the casting of a play , which he may employ separately or in combination . The first method is simply to cast the ...
... METHODS OF CASTING Whether or not he utilizes the services of a committee , every direc- tor has three major methods for the casting of a play , which he may employ separately or in combination . The first method is simply to cast the ...
Page 143
... method . This scheme of supplementary productions requires a staff of assistant directors , to whom it gives training as well . In the academic theatre , it is rather easily managed through the courses in acting and directing offered in ...
... method . This scheme of supplementary productions requires a staff of assistant directors , to whom it gives training as well . In the academic theatre , it is rather easily managed through the courses in acting and directing offered in ...
Page 177
... method is more expeditious . For this method two copies of the text will be needed . Carefully unbind each of the copies and glue the pages on the sheets of paper of the desired size ( not smaller than 81⁄2 x 11 ) . The sheets on which ...
... method is more expeditious . For this method two copies of the text will be needed . Carefully unbind each of the copies and glue the pages on the sheets of paper of the desired size ( not smaller than 81⁄2 x 11 ) . The sheets on which ...
Contents
Theatre Arts | 3 |
Setting for The Caucasian Chalk Circle | 23 |
Analysis of Plays | 30 |
Copyright | |
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academic theatre acting area action actor arena staging arrangement artist audience autotransformer batten become Broadway theatre California State University canvas cast changes Chapter character characterization climax color comedy comic community theatres complete costume and makeup curtain cyclorama designer devices dialogue diction dimmer directing director discussion Doll's House door downstage drama dress rehearsals emotional employed entrance especially Figure flat floor footlights frame Fresnel lens Hamlet important inches individual instruments interpretation kind lamp lines means ment method modern Molière movement nature organization paint pantomimic dramatization pattern performance piece platform play playwright plot probability production proscenium question reading rehearsals realistic rehearsal period rendering require rhythm role scene scenery Section selection Shakespeare space arts speech spotlights stage lighting striplights style technical rehearsals techniques theatre arts thrust stage tion tragedy tryouts units upstage usually utilized visual wall whole York