Modern Theatre Practice |
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Page 50
... nature . They certainly often contribute to one or both of the two major ap- proaches which are most useful to the director . The two approaches most useful to the director are The study of drama in terms of its spirit or meaning The ...
... nature . They certainly often contribute to one or both of the two major ap- proaches which are most useful to the director . The two approaches most useful to the director are The study of drama in terms of its spirit or meaning The ...
Page 62
... nature of the charac- ter , and by devices of action . When a playwright exhibits a certain character thinking about or contemplating a deed , that deed then becomes probable for that character , unless , of course , his very nature ...
... nature of the charac- ter , and by devices of action . When a playwright exhibits a certain character thinking about or contemplating a deed , that deed then becomes probable for that character , unless , of course , his very nature ...
Page 69
... natural species through mutation , emphasized the absolute control of heredity and environment over the nature and develop- ment of living matter . The discoveries of other famous scientists seemed to make the Darwinian hypothesis a ...
... natural species through mutation , emphasized the absolute control of heredity and environment over the nature and develop- ment of living matter . The discoveries of other famous scientists seemed to make the Darwinian hypothesis a ...
Contents
Theatre Arts | 3 |
Setting for The Caucasian Chalk Circle | 23 |
Analysis of Plays | 30 |
Copyright | |
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academic theatre acting area action actor arena staging arrangement artist audience autotransformer batten become Broadway theatre California State University canvas cast changes Chapter character characterization climax color comedy comic community theatres complete costume and makeup curtain cyclorama designer devices dialogue diction dimmer directing director discussion Doll's House door downstage drama dress rehearsals emotional employed entrance especially Figure flat floor footlights frame Fresnel lens Hamlet important inches individual instruments interpretation kind lamp lines means ment method modern Molière movement nature organization paint pantomimic dramatization pattern performance piece platform play playwright plot probability production proscenium question reading rehearsals realistic rehearsal period rendering require rhythm role scene scenery Section selection Shakespeare space arts speech spotlights stage lighting striplights style technical rehearsals techniques theatre arts thrust stage tion tragedy tryouts units upstage usually utilized visual wall whole York