Modern Theatre Practice |
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Page 146
... roles . On the other hand , the director or the committee members should not hesitate to request any contestant in whom they see potenti- alities for any additional role to read for this , or to repeat his pre- vious reading . This ...
... roles . On the other hand , the director or the committee members should not hesitate to request any contestant in whom they see potenti- alities for any additional role to read for this , or to repeat his pre- vious reading . This ...
Page 197
... role as a type . His aim , especially in the chief roles , is to individualize the character . Even the most unsympathetic role in the play must be looked upon by the actor in that role with a sym- pathetic imagination . As that ...
... role as a type . His aim , especially in the chief roles , is to individualize the character . Even the most unsympathetic role in the play must be looked upon by the actor in that role with a sym- pathetic imagination . As that ...
Page 235
... role is the problem of the individual actor under the guidance of the director . For effective pantomimic interpretation the actor must have a fully trained body which , like that of the dancer , is completely responsive to his will ...
... role is the problem of the individual actor under the guidance of the director . For effective pantomimic interpretation the actor must have a fully trained body which , like that of the dancer , is completely responsive to his will ...
Contents
Theatre Arts | 3 |
Setting for The Caucasian Chalk Circle | 23 |
Analysis of Plays | 30 |
Copyright | |
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academic theatre acting area action actor arena staging arrangement artist audience autotransformer batten become Broadway theatre California State University canvas cast changes Chapter character characterization climax color comedy comic community theatres complete costume and makeup curtain cyclorama designer devices dialogue diction dimmer directing director discussion Doll's House door downstage drama dress rehearsals emotional employed entrance especially Figure flat floor footlights frame Fresnel lens Hamlet important inches individual instruments interpretation kind lamp lines means ment method modern Molière movement nature organization paint pantomimic dramatization pattern performance piece platform play playwright plot probability production proscenium question reading rehearsals realistic rehearsal period rendering require rhythm role scene scenery Section selection Shakespeare space arts speech spotlights stage lighting striplights style technical rehearsals techniques theatre arts thrust stage tion tragedy tryouts units upstage usually utilized visual wall whole York