Modern Theatre Practice |
From inside the book
Results 1-3 of 61
Page 208
... speak the line or word as it should be rendered . It is even more helpful to record on a tape or wire recorder the actor's speaking of the lines and play those back for him . As soon as the actor has acquired some abilities in speaking ...
... speak the line or word as it should be rendered . It is even more helpful to record on a tape or wire recorder the actor's speaking of the lines and play those back for him . As soon as the actor has acquired some abilities in speaking ...
Page 229
... speak of fellow actors giving them something to play to or against . A further fault often observed in the inexperienced actor is the speaking of lines exactly as though he were reading them from the printed page . Such delivery lacks ...
... speak of fellow actors giving them something to play to or against . A further fault often observed in the inexperienced actor is the speaking of lines exactly as though he were reading them from the printed page . Such delivery lacks ...
Page 243
... speaking , he has the stage - commands the major attention of the audience . An audience's attention may be held by sound but is more powerfully attracted by motion ; hence , as we have previously seen , the audience's attention always ...
... speaking , he has the stage - commands the major attention of the audience . An audience's attention may be held by sound but is more powerfully attracted by motion ; hence , as we have previously seen , the audience's attention always ...
Contents
Theatre Arts | 3 |
Setting for The Caucasian Chalk Circle | 23 |
Analysis of Plays | 30 |
Copyright | |
153 other sections not shown
Common terms and phrases
academic theatre acting area action actor arena staging arrangement artist audience autotransformer batten become Broadway theatre California State University canvas cast changes Chapter character characterization climax color comedy comic community theatres complete costume and makeup curtain cyclorama designer devices dialogue diction dimmer directing director discussion Doll's House door downstage drama dress rehearsals emotional employed entrance especially Figure flat floor footlights frame Fresnel lens Hamlet important inches individual instruments interpretation kind lamp lines means ment method modern Molière movement nature organization paint pantomimic dramatization pattern performance piece platform play playwright plot probability production proscenium question reading rehearsals realistic rehearsal period rendering require rhythm role scene scenery Section selection Shakespeare space arts speech spotlights stage lighting striplights style technical rehearsals techniques theatre arts thrust stage tion tragedy tryouts units upstage usually utilized visual wall whole York