Milton's LegacyKristin A. Pruitt, Charles W. Durham In The Reason of Church Government, a thirty-three-year-old John Milton writes of his hope that by labour and intent study... joyn'd with the strong propensity of nature, I might perhaps leave something so written to aftertimes, as they should not willingly let it die. Even the young Milton, committed as he was to achieving a place in the annals of poetic history, might have been surprised by the strenuous efforts in aftertimes to keep his legacy alive. The fifteen essays that comprise this collection focus, from varied perspectives, on Paradise Lost, Paradise Regained, and A Mask, poems that have attracted sustained critical attention. Several consider shorter poems, such as the Nativity Ode, The Passion, Upon the Circumcision, and Sonnet 14. Some pursue issues of sources, authorship, and audience, while still others probe extant biographical records or reflect on the author as biographical subject. Diverse though they are in subject matter, approaches, and emphases, all demonstrate how Milton scholarship in the twenty-first century continues to be committed to not willingly let ting] Milton's literary legacy die. Kristin A. Brothers University. Charles W. Durham is professor emeritus of English at Middle Tennessee State University, and is president of the Milton Society of America. |
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Page 78
cent “ go upon the bellies of their spirits , and lick up the dust of the earth all the
dayes of their lives ” — that is they feed on ... he brands as “ Successors of Cain '
s spirit ” those who " persecuteth about Sacrifices and Worship in this our Day .
cent “ go upon the bellies of their spirits , and lick up the dust of the earth all the
dayes of their lives ” — that is they feed on ... he brands as “ Successors of Cain '
s spirit ” those who " persecuteth about Sacrifices and Worship in this our Day .
Page 126
As Comus stands for Dionysus , the Attendant Spirit stands for Nietzsche ' s
Apollo , yet he is a platonized Apollo figure . 21 The first and last figure to appear
in the Mask , the Attendant Spirit securely frames the ritual as an Apollinian
triumph .
As Comus stands for Dionysus , the Attendant Spirit stands for Nietzsche ' s
Apollo , yet he is a platonized Apollo figure . 21 The first and last figure to appear
in the Mask , the Attendant Spirit securely frames the ritual as an Apollinian
triumph .
Page 215
Holy Spirit as guide ” ( 6 : 127 ) . Here again we see the spirit of the parabolic
Householder manifest itself , for Milton is clearly championing the original
meaning of the Scriptures over and against certain traditional assumptions , thus
bringing ...
Holy Spirit as guide ” ( 6 : 127 ) . Here again we see the spirit of the parabolic
Householder manifest itself , for Milton is clearly championing the original
meaning of the Scriptures over and against certain traditional assumptions , thus
bringing ...
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Contents
Introduction | 13 |
Raphaels Role in Paradise Lost | 33 |
Hierarchy Alterity and Freedom in Paradise Lost | 50 |
Copyright | |
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Abel Adam Adam's angel appears argues argument asserts attempt audience authority become begins believe biography Cain Cambridge Catholic Charles Christ Christian Christmas Church cited claims Complete Comus critical culture death describes Dionysus discussion divine Doctrine early edition England English epic equal example fact faith Father freedom funeral Heaven History human individual instance interpretation John Milton Johnson King Lady lines Lives London Lord means moral Nativity nature notes offer Paradise Lost Paradise Regained Passion poem poet poetic poetry political position potential praise present prose Protestant provides Puritan Quakers question Raphael readers reading reason references relation religious Renaissance rhetorical Satan Scripture seems sermons sonnet Spirit Studies suggests temptation things Thomas tion tradition tragedy tragic true truth turn University Press virtue volume Welsh writing York