Psychophysical Acting: An Intercultural Approach after StanislavskiPsychophysical Acting is a direct and vital address to the demands of contemporary theatre on today’s actor. Drawing on over thirty years of intercultural experience, Phillip Zarrilli aims to equip actors with practical and conceptual tools with which to approach their work. Areas of focus include:
Psychophysical Acting is accompanied by Peter Hulton’s downloadable resources featuring exercises, production documentation, interviews, and reflection. |
Contents
1 | |
7 | |
11 | |
Part II Work on oneself
| 61 |
Part III Production case studies
| 113 |
Afterword
| 213 |
A C Scott and the Asian Experimental Theater Program
| 215 |
Yuasa Yasuos bodyscheme | 217 |
Notes
| 219 |
235 | |
247 | |
Other editions - View all
Psychophysical Acting: An Intercultural Approach After Stanislavski Phillip B. Zarrilli,Peter Hulton No preview available - 2009 |
Common terms and phrases
Act Without Words action active image actor actress aesthetic allow and/or Asian attention attunement audience audience’s Beckett becomes begins being/doing Billie Whitelaw bodymind bodymind awareness breath Chapter character consciousness create Crimp dantian described developed dramaturgy DVD-ROM dynamic Eh Joe embodied emotion engagement entire bodymind environment Eugenio Barba exercises experience external focus eyes feel feet Figure Figure’s Gardzienice gaze Girl Girl’s Gurukkal half-breath heightened ibid impulse inhabit initial Jeungsook Kalari kalarippayattu kathakali keep ki-energy Knowlson listening look lower dantian martial arts Martin Crimp mind modes mouth move movement ofthe Ohio Impromptu one’s optimal Ōta Ōta’s palm perception performance score Phillip Zarrilli physical practice practitioner present production psychophysical score psychophysical training rehearsal relationship residual awareness resonance Rockaby scenario Scene sense sensory awareness shift Singapore space Speaker specific stage Stanislavski structured improvisations studio subtle body taiqiquan task tempo-rhythm theater voice Water Station Woman yoga Yuasa