Wordsworth's Theory of Poetic Diction: A Study of the Historical and Personal Background of the Lyrical BalladsYale University Press, 1917 - 191 pages |
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Page xiii
... eighteenth century . In the first collected edition of his poems in 1815 ( which included the Lyrical Ballads and the poems of 1807 , with a few additions of later origin ) , he relegates his original preface to the Appendix as ...
... eighteenth century . In the first collected edition of his poems in 1815 ( which included the Lyrical Ballads and the poems of 1807 , with a few additions of later origin ) , he relegates his original preface to the Appendix as ...
Page 2
... eighteenth century , scorning the rich and various language into which this Elizabethan dic- tion had flowered as a luxuriant wildwood growth , which it was their task to reduce to French correctness and elegance . So it had seemed to ...
... eighteenth century , scorning the rich and various language into which this Elizabethan dic- tion had flowered as a luxuriant wildwood growth , which it was their task to reduce to French correctness and elegance . So it had seemed to ...
Page 3
... eighteenth century did the ideal of a special vocabulary for poetry become widely prevalent in England through the powerful influence of Gray ; and even then it was opposed by the precepts and example of Goldsmith , Cowper , and Burns ...
... eighteenth century did the ideal of a special vocabulary for poetry become widely prevalent in England through the powerful influence of Gray ; and even then it was opposed by the precepts and example of Goldsmith , Cowper , and Burns ...
Page 7
... eighteenth century - to purify it from the arbitrary con- çeits and curious inventions in which the Elizabethan mind rejoiced , and to make it correspond , as far as possible , to NU the actual spoken vernacular . ' Among all other ...
... eighteenth century - to purify it from the arbitrary con- çeits and curious inventions in which the Elizabethan mind rejoiced , and to make it correspond , as far as possible , to NU the actual spoken vernacular . ' Among all other ...
Page 21
... barbarous ' ( ibid . 2. 110 ) . 1 ' See Schelling , ' Ben Jonson and the Classical School , ' Pub . Mod . Lang . Assoc . 13. 235 . ideal of correctness which was to dominate the eighteenth century POETIC DICTION IN ' MODERN TIMES ' 21.
... barbarous ' ( ibid . 2. 110 ) . 1 ' See Schelling , ' Ben Jonson and the Classical School , ' Pub . Mod . Lang . Assoc . 13. 235 . ideal of correctness which was to dominate the eighteenth century POETIC DICTION IN ' MODERN TIMES ' 21.
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Common terms and phrases
artistic attempt beautiful Ben Jonson Blake and Harry blank verse character characteristic Chaucer criticism Descriptive Sketches Dryden early edited with Introduction effort eighteenth century Elizabethan emotion English English poetry Essay example expression fancy feeling Glossary grammar Gregory Smith Hawkshead heroic couplet Ibid ideal ideas Idiot Boy illustrated imagery images imagination imitation Jonson Lamb language of poetry later Latin Legouis cites lines literary literature lower and middle Lyrical Ballads Mad Mother metre Milton mind natural original Oxford edition passion peculiar periphrastic Ph.D phrases poems poet's poetic diction Pope Preface Prelude prose reader real language remarks repetition result rhyme rustic Samuel Taylor Coleridge says seems Shakespeare Simon Lee simplicity Southey speak speech Spenser stanza style suggested syntax taste theory of poetic things Thorn thought Tintern Abbey tion verb versification vocabulary Warton William Wordsworth words Wordsworth and Coleridge worth writing written
Popular passages
Page 170 - Their thoughts I cannot measure : — But the least motion which they made, It seemed a thrill of pleasure. The budding twigs spread out their fan, To catch the breezy air ; And I must think, do all I can, That there was pleasure there. If this belief from heaven be sent, If such be Nature's holy plan, Have I not reason to lament What man has made of man...
Page 122 - Reflections on Having Left a Place of Retirement Sermoni propriora. - HOR. ' Low was our pretty Cot: our tallest Rose Peep'd at the chamber-window. We could hear At silent noon, and eve, and early morn, The Sea's faint murmur.
Page 131 - The principal object, then, proposed in these poems was to choose incidents and situations from common life, and to relate or describe them throughout, as far as was possible, in a selection of language really used by men, and, at the same time, to throw over them a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual aspect...
Page 152 - Familiar matter of to-day? Some natural sorrow, loss, or pain, That has been, and may be again? Whate'er the theme, the maiden sang As if her song could have no ending; I saw her singing at her work, And o'er the sickle bending; — I listened, motionless and still; And, as I mounted up the hill The music in my heart I bore, Long after it was heard no more.
Page 52 - See! from the brake the whirring pheasant springs, And mounts exulting on triumphant wings: Short is his joy; he feels the fiery wound, Flutters in blood, and panting beats the ground, Ah! what avail his glossy, varying dyes, 115 His purple crest, and scarlet-circled eyes, The vivid green his shining plumes unfold, His painted wings and breast that flames with gold ? Nor yet, when moist Arcturus clouds the sky The woods and fields their pleasing toils deny.
Page 38 - But true expression, like the' unchanging sun, Clears and improves whate'er it shines upon ; It gilds all objects, but it alters none. Expression is the dress of thought, and still Appears more decent, as more suitable ; A vile conceit in pompous words...
Page 19 - I knew it would be hard to arrive at the second rank among the Latins, I applied myself to that resolution, which Ariosto followed against the persuasions of Bembo. to fix all the industry and art I could unite to the adorning of my native tongue...
Page 147 - One impulse from a vernal wood May teach you more of man, Of moral evil and of good, Than all the sages can. Sweet is the lore which Nature brings ; Our meddling intellect Mis-shapes the beauteous forms of things : — We murder to dissect.
Page 134 - DURING the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by the modifying colours of imagination.
Page 102 - And, so refused, might in opinion stand His rivals, winning cheap the high repute Which he through hazard huge must earn. But they Dreaded not more the adventure than his voice Forbidding; and at once with him they rose. Their rising all at once was as the sound Of thunder heard remote.