 Sadism demands a story, depends on making something happen, forcing a change in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end.  Film, Horror, and the Body Fantasticby Linda Badley - 1995 - 199 pagesNo preview available - About this book
 | Constance Penley - History - 1988 - 284 pages
...through punishment or forgiveness. This sadistic side fits well with narrative. Sadism demands a story, depends on making something happen, forcing a change...battle of will and strength, victory /defeat, all occuring in a linear time with a beginning and an end. Fetishistic scopophilia, on the other hand,... | |
 | Patricia Erens - Performing Arts - 1990 - 492 pages
...punishment or forgiveness. This sadistic side fits in well with narrative. Sadism demands a story, depends on making something happen, forcing a change...in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end. Fetishistic scopophilia,... | |
 | D. Emily Hicks - Literary Criticism - 1991 - 178 pages
...this issue. In "Visual Pleasure and Narrative Cinema," Mulvey argues that "sadism demands a story, depends on making something happen, forcing a change...will and strength, victory /defeat, all occurring in a linear time with a beginning and an end" (14). The structure of the relationship between the sadist... | |
 | D. Emily Hicks - Literary Criticism - 1991 - 178 pages
...this issue. In "Visual Pleasure and Narrative Cinema," Mulvey argues that "sadism demands a story, depends on making something happen, forcing a change...in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end" (14). The structure of... | |
 | Donald E. Morton, Masʼud Zavarzadeh - Education - 1991 - 268 pages
..."well-constructed" or tightly written plot. "Sadism demands a story," Laura Mulvey has demonstrated, which "depends on making something happen, forcing a change...in another person, a battle of will and strength, victory/defeat, all occurring in linear time with a beginning and an end" ("Visual Pleasure and Narrative... | |
 | Screen - Performing Arts - 1992 - 360 pages
...punishment and forgiveness. This sadistic side fits in well with narrative. Sadism demands a story, depends on making something happen, forcing a change...another person, a battle of will and strength, victory and defeat, all occurring in a linear time with a beginning and an end.18 Mulvey goes on to discuss... | |
 | Camille Bacon-Smith - Performing Arts - 1992 - 356 pages
...a story. Rather, Mulvey goes on to describe the narrative sadism demands: "Sadism demands a story, depends on making something happen, forcing a change...in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end."27 In this quotation. Mulvey... | |
 | Screen - Performing Arts - 1992 - 354 pages
...object of its sadistic components. However, if we take some of the terms used in her description - 'making something happen', 'forcing a change in another...person', 'a battle of will and strength', 'victory and defeat' - they can immediately be applied to 'male' genres, to films concerned largely or solely... | |
 | Steven Cohan, Ina Rae Hark - Performing Arts - 1993 - 292 pages
...punishment and forgiveness. This sadistic side fits in well with narrative. Sadism demands a story. depends on making something happen. forcing a change...another person. a battle of will and strength. victory and defeat. all occurring in a linear time with a beginning and an end. (Mulvey 1975: 14) Mulvey goes... | |
 | Janet Levarie Smarr - History - 1993 - 238 pages
...(Bloomington: Indiana University Press, 1989), pp. 14-26, she suggested that "Sadism demands a story, depends on making something happen, forcing a change...in another person, a battle of will and strength, victory/defeat, all occurring in a linear time with a beginning and an end." (p. 22) De Lauretis, in... | |
| |
