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Academy ancient Anne of Brittany appearance bank beautiful bridge building built called carried century character château church Codicil course covered cross death direct distance drawings early effect England English Engraved entered executors exhibited feet five four France French Gallery gardens give hand height Henry hill hundred inhabitants institution interest Italy J. M. W. TURNER kind king land latter leagues length light lived Loire look Louis magnificent manner means mentioned middle Nantes nature never object once opposite origin painted Paris passed persons pounds present received remains remarkable rising river road rock round Royal ruins Saint scene seems seen side SKETCH soon stands stone streets supposed taken thousand Tours towers town traveller trustees turn Turner village walls whole
Page li - Act. in as full and ample a manner to all intents and purposes as if the same privileges and protections were repeated and re-enacted in this Act.
Page lv - Signed, sealed, published, declared, and delivered, by the said Samuel Johnson, as, and for a Codicil to his last Will and Testament, in the presence of us, who, in his presence, and at his request, and also in the presence of each other, have hereto subscribed our names as witnesses. •JOHN COPLEY.
Page lvi - Signed, sealed, published, and declared, by the said Thomas Coutts, the testator, as and for a codicil to his last will and testament, in the presence of us who, in his presence, at his request, and in the presence of each other, have hereunto subscribed our names as witnesses.
Page lii - Signed sealed published and declared by Frederick Biser the above named Testator as and for his last will and testament in the presence of us who at his request in his presence and in the presence of each other have subscribed our names as witnesses thereto.
Page liv - Trustees or the survivor of them or the Executors Administrators or Assigns of such survivor...
Page xliii - Fire, exhibited at the Royal Academy in the following May, witnessed the force with which the scene was impressed upon him. In like manner, the Burning of the Houses of Parliament forty years afterwards was an event that could not escape the pencil of Turner. He repaired to the spot to make sketches of the fire at different points, and produced two pictures, one for the Academy, and another for the British Institution. Here was a glowing subject for his palette.
Page 254 - Vous toutes qu'à ses jeux le bal riant convie, Pensez à l'Espagnole éteinte sans retour, Jeunes filles! Joyeuse, et d'une main ravie, Elle allait moissonnant les roses de la vie, Beauté, plaisir, jeunesse, amour! La pauvre enfant, de fête en fête promenée, De ce bouquet charmant arrangeait les couleurs : Mais qu'elle a passé vite, hélas! l'infortunée! Ainsi...
Page li - ... as aforesaid, by any deed or deeds, instrument or instruments in writing, sealed and delivered by them or him in the presence of and attested by two or more credible witnesses, absolutely to revoke, determine, and make void all or any of the uses, trusts...
Page li - I direct, that a charitable institution be founded for the maintenance and support of poor and decayed male artists, being born in England, and of English parents only, and lawful issue...
Page xliii - But upon retiring, and catching its magical effects, he added, " Painting ! God bless me ! So it is !" The picture of " Hail, Rain, and Speed," with its wonderful interpretation of a night railway train, produced at a still later period of Turner's life, was another instance in which the great artist's attention had been caught by the hissing, and puffing, and glowing fire of the locomotive.