Haydn Jahr BuchHoward Chandler Robbins Landon, I. M. Bruce, David Wyn Jones |
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Page 87
... anacrusis and terminated with the heaviest stress ; C12 , a series of activated downbeats using the anacrusis to effect forward thrust ; and D5 , a sensation of anacrusis achieved simultaneously at the dimension of the bar in the bass ...
... anacrusis and terminated with the heaviest stress ; C12 , a series of activated downbeats using the anacrusis to effect forward thrust ; and D5 , a sensation of anacrusis achieved simultaneously at the dimension of the bar in the bass ...
Page 90
... anacrusis . In a structural sense the use of T at this point is unusually appropriate : it forms a link between the opening eight bars and the extensive retransition , whose areas of stasis and animation parallel the opening section ...
... anacrusis . In a structural sense the use of T at this point is unusually appropriate : it forms a link between the opening eight bars and the extensive retransition , whose areas of stasis and animation parallel the opening section ...
Page 118
... anacrusis contributes to a rhythmic drive so characteristic of Ordonez's output . Less satisfying is the treatment of harmony and melody . Although one can find an occasional augmented sixth chord in the later works , the preference is ...
... anacrusis contributes to a rhythmic drive so characteristic of Ordonez's output . Less satisfying is the treatment of harmony and melody . Although one can find an occasional augmented sixth chord in the later works , the preference is ...
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Common terms and phrases
Allegro Aloys Fuchs alß anacrusis Andante Archiv articulation auß Babier baryton bass bekomen beÿ bezahlen biß Breitkopf catalogue cello characteristic clarini composer concertante concerto contrast copies copyists dise Ditto Doksy edition engraved Esterházy Eszterháza example exposition finale fortepiano Freund function Georg Christoph Wagenseil Gesellschaft der Musikfreunde gestochen Göttweig Gregor Joseph Werner H.C. Robbins Landon habe Härtl Hofmeister horns Ignace Pleyel incipits instrument Jan LaRue Johann Joseph Haydn Köhler können Kühnel Lambach Leipzig letter Livres machen macht Melk melodic minuet Mozart Musique muß oboes opera oratorio orchestral Ordonez symphony paper Paris piano Pleyel mpria proprieté Quartbuch Räme reams recapitulation Rechnung rhythm rhythmic ritornello schon Schücken score slow movement soll solo sonata form sources string quartets structure style stylistic symphonies thematic tonal tonic trio viel Vienna Viennese viola violin Wagenseil waß werde Wien wür