Writing Home: Poetry and Place in Northern Ireland, 1968-2008Ideas of home, place and identity have been continually questioned, re-imagined and re-constructed in Northern Irish poetry. Concentrating on the period since the outbreak of the Troubles in the late 1960s, this study provides a detailed consideration of the work of several generations of poets, from Hewitt and MacNeice, to Fiacc and Montague, to Simmons, Heaney, Mahon and Longley, to Muldoon, Carson, Paulin and McGuckian, to McDonald, Morrissey, Gillis and Flynn. It traces the extent to which their writing represents a move away from concepts of rootedness and towards a deterritorialized poetics of displacement, mobility, openness and pluralism in an era of accelerating migration and globalisation. In the new readings of place, inherited maps are no longer reliable, and home is no longer the stable ground of identity but seems instead to be always where it is not. The crossing of boundaries and the experience of diaspora open up new understandings of the relations between places, a new sense of the permeability and contingency of cultures, and new concepts of identity and home. Professor ELMER KENNEDY-ANDREWS teaches in the Department of English at the University of Ulster. |
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Contents
the lie of the land | 1 |
rooted men and nomads | 21 |
global regionalist? | 53 |
omphalos and diaspora | 83 |
Padraic Fiacc and James simmons | 118 |
michael longleys Ecopoetics | 137 |
An Exile and a stranger | 155 |
dwelling without roots | 180 |
the new urban Poetics | 203 |
the lyric of gendered space | 225 |
new Voices Peter mcdonald sinead morrissey Alan gillis and | 249 |
287 | |
297 | |
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Writing Home: Poetry and Place in Northern Ireland, 1968-2008 Elmer Kennedy-Andrews No preview available - 2008 |
Common terms and phrases
aesthetic Alan gillis American Belfast belonging BHMSB carson catholic childhood ciaran carson colonial concept contemporary culture dark derek mahon discourses displacement dream Edna longley emphasises English essay exile experience Faber feeling female feminine Fiacc Frost gaelic gallery Press gillis global heaney’s hereafter abbreviated hewitt human ibid idea identity imagination Immram irish poetry James Simmons John montague Kavanagh kind landscape language lines literary living london longley’s loughcrew louis macneice macneice’s meaning medbh mcguckian memory michael longley modern montague’s morrissey myth narrative nation nationalist native nature nomad northern ireland northern irish past pastoral Paul Muldoon Paulin Peter mcdonald poem’s poet poet’s poetic political postmodern Protestant reality references incorporated rooted rural says seamus heaney sense of place social space speaker stanza suggests symbolic there’s tion tom Paulin traditional ulster vernacular verse violence vision voice words writing yeats yeats’s