Issues in Feminist Film CriticismPatricia Erens "This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s." —Journal of Aesthetics and Art Criticism |
Contents
Introduction | 2 |
Positive Images | 9 |
The Place of Woman in the Cinema of Raoul Walsh | 19 |
Visual Pleasure and Narrative Cinema | 28 |
Film and the Masquerade | 41 |
Hitchcock Feminism and the Patriarchal Unconscious | 58 |
Women and Representation | 75 |
Introduction | 94 |
Feminism Film and Public History | 238 |
Textual Politics | 250 |
In the Name of Feminist Film Criticism | 268 |
Rethinking Womens Cinema | 288 |
DisEmbodying the Female Voice | 309 |
Introduction | 330 |
Images and Women | 337 |
Unspoken and Unsolved | 353 |
Gentlemen Consume Blondes | 101 |
Pretext and Text in Gentlemen Prefer Blondes | 112 |
The Case of the Missing Mother | 126 |
Something Else Besides a Mother | 137 |
Seduced and Abandoned | 163 |
Illicit Pleasures | 183 |
White Privilege and Looking Relations | 197 |
Introduction | 216 |
The Political Aesthetics of the Feminist | 222 |
Desperately Seeking Difference | 365 |
Female Narration Womens Cinema | 380 |
Feminist or Tendentious? | 395 |
AntiPorn | 405 |
Variety | 418 |
| 425 | |
| 439 | |



