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Biographia Literaria - Or Biographical Sketches of My Literary Life and ...
Samuel Taylor Coleridge
No preview available - 2008
answer appear association attention beauty become believe called cause character common compositions concerning consequence consists continued conversation criticism distinct effect English equally excellence excitement existence express fact fancy feelings force former genius German give greater ground hand heart human idea images imagination immediate important impression individual instance intelligible interest judgment kind knowledge language latter least less light lines living look meaning mere metre MICHIGAN mind moral nature never notions object once opinions original pass passage perhaps person philosophical pleasure poem poet poetic poetry possess possible present principles produced prose reader reason remain result seemed sense soul speak spirit style supposed thing thought tion true truth understand universal whole Wordsworth writer
Page 254 - While he was talking thus, the lonely place, The old Man's shape, and speech, all troubled me: In my mind's eye I seemed to see him pace About the weary moors continually, Wandering about alone and silently. While I these thoughts within myself pursued, He, having made a pause, the same discourse renewed.
Page 206 - At her feet he bowed he fell, he lay down at her feet he bowed, he fell where he bowed, there he fell down dead...
Page 276 - Not for these I raise The song of thanks and praise : But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings ; Blank misgivings of a creature Moving about in worlds not realized ; High instincts before which our mortal nature Did tremble like a guilty thing surprised...
Page 132 - Keen Pangs of Love, awakening as a babe Turbulent, with an outcry in the heart ; And Fears self-willed, that shunned the eye of Hope; And Hope that scarce would know itself from Fear ; Sense of past Youth, and Manhood come in vain, And Genius given, and Knowledge won in vain...
Page 274 - By sheddings from the pinal umbrage tinged Perennially — beneath whose sable roof Of boughs, as if for festal purpose decked With unrejoicing berries, ghostly shapes May meet at noontide — FEAR and trembling HOPE, SILENCE and FORESIGHT— DEATH, the skeleton, And TIME, the shadow — there to celebrate, As in a natural temple scattered o'er With altars undisturbed of mossy stone, United worship; or in mute repose To lie, and listen to the mountain flood Murmuring from Glaramara's inmost caves.
Page 212 - Yet nature is made better by no mean But nature makes that mean : so, over that art Which you say adds to nature, is an art That nature makes.
Page 246 - Ocean and earth, the solid frame of earth And ocean's liquid mass, beneath him lay . In gladness and deep joy. The clouds were touched, And in their silent faces could he read Unutterable love. Sound needed none, Nor any voice of joy ; his spirit drank The spectacle : sensation, soul, and form All melted into him ; they swallowed up His animal being ; in them did he live, And by them did he live ; they were his life.
Page 184 - Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom.