Ros. Ay, my lord; they stay upon your patience. Queen. Come hither, my good Hamlet, sit by me. Ham. No, good mother, here's metal more attractive. Pol. [to the KING.] O ho! do you mark that? Ham. Lady, shall I lie in your lap? [Lying down at OPHELIA's feet. Oph. No, my lord. Ham. I mean, my head upon your lap? Ham. Do you think I meant country matters ? Oph. I think nothing, my lord. Ham. That's a fair thought to lie between maids' legs. Oph. What is, my lord? Ham. Nothing. Oph. You are merry, my lord. Ham. Who, I ? Oph. Ay, my lord. Ham. O God, your only jig-maker. What should a man do, but be merry? for, look you, how cheerfully my mother looks, and my father died within these two hours. Oph. Nay, 'tis twice two months, my lord. Ham. So long? Nay, then let the devil wear black, for I'll have a suit of sables. O heavens ! die two months ago, and not forgotten yet? Then there's hope a great man's memory may outlive his life half a year: but by-'r-lady, he must build churches then: or else shall he suffer not thinking on, with the hobby-horse; whose epitaph is, For, O, for, O, the hobby-horse is forgot. Hautboys play. The dumb show enters. Enter a King and a Queen, very lovingly; the Queen embracing him, and he her. She kneels, and makes show of protestation unto him. He takes her up, and declines his head upon her neck: lays him down upon a bank of flowers; she, seeing him asleep, leaves him. Anon comes in a fellow, takes off his crown, kisses it, and pours poison in the King's ears, and exit. The Queen returns; finds the King dead, and makes passionate action. The Poisoner, with some two or three Mutes, comes in again, seeming to lament with her. The dead body is carried away. The Poisoner woos the Queen with gifts; she seems loath and unwilling awhile, but, in the end, accepts his love. [Exeunt. Oph. What means this, my lord? Ham. Marry, this is miching mallecho; it means mischief. Oph. Belike, this show imports the argument of the play. Enter Prologue. : Ham. We shall know by this fellow the players cannot keep counsel; they'll tell all. Oph. Will he tell us what this show meant? Ham. Ay, or any show that you'll show him. Be not you ashamed to show, he'll not shame to tell you what it means. Oph. You are naught, you are naught; I'll mark the play. Pro. For us, and for our tragedy, Ham. Is this a prologue, or the poesy of a ring? Oph. 'Tis brief, my lord. Ham. As woman's love. Enter two Players, King and Queen. P. King. Full thirty times hath Phoebus' cart gone round Neptune's salt wash, and Tellus' orbed ground; P. Queen. So many journeys may the sun and moon So far from cheer, and from your former state, Now, what my love is, proof hath made you know; Where love is great, the littlest doubts are fear; Where little fears grow great, great love grows there. P. King. 'Faith, I must leave thee, love, and shortly too; My operant powers their functions leave to do: P. Queen. O, confound the rest! Such love must needs be treason in my breast: None wed the second but who kill'd the first. Ham. [aside.] Wormwood, wormwood. P. Queen. The instances that second marriage move, Are base respects of thrift, but none of love; A second time I kill my husband dead, When second husband kisses me in bed. P. King. I do believe, you think what now you speak; But, what we do determine oft we break. Purpose is but the slave to memory; Of violent birth, but poor validity: Which now, like fruit unripe, sticks on the tree; Most necessary 'tis, that we forget To pay ourselves what to ourselves is debt; What to ourselves in passion we propose, Their own enactures with themselves destroy: Whether love lead fortune, or else fortune love. But, orderly to end where I begun,- Our thoughts are ours, their ends none of our own; But die thy thoughts, when thy first lord is dead. Ham. [to OPHELIA.] If she should break it now, P. King. 'Tis deeply sworn. Sweet, leave me here a while; My spirits grow dull, and fain I would beguile P. Queen. [Sleeps. Sleep rock thy brain, And never come mischance between us twain! [Exit. Ham. Madam, how like you this play? Queen. The lady protests too much, me thinks. Ham. O, but she'll keep her word. King. Have you heard the argument? Is there no offence in 't? Ham. No, no, they do but jest, poison in jest; no offence i' the world. King, What do you call the play? Ham. The Mouse-trap. Marry, how? Tropically. This play is the image of a murder done in Vienna: Gonzago is the duke's name; his wife, Baptista: you shall see anon; 'tis a knavish piece of work: but what of that? your majesty, and we that have free souls, it touches us not: let the galled jade wince, our withers are unwrung. Enter LUCIANUS. This is one Lucianus, nephew to the king. Oph. You are keen, my lord, you are keen. Ham. It would cost you a groaning, to take off my edge. Oph. Still better, and worse. Ham. So you must take husbands.-Begin, murderer; leave thy damnable faces, and begin. Come ; The croaking raven Doth bellow for revenge. Luc. Thoughts black, hands apt, drugs fit, and time agreeing; Confederate season, else no creature seeing; Thou mixture rank, of midnight weeds collected, On wholesome life usurp immediately. [Pours the poison into the sleeper's ears. |